Studies In National Art 2015 Issue 2 New Thoughts on the Evolution of Chinese Cinematic History—

New Thoughts on the Evolution of Chinese Cinematic History——Chinese Films Over 110 Years’ History
Zhou xing;

..............page:5-11

Reflections on the Culture and Aesthetics in Chinese Blockbusters
Shi Keyang;

..............page:12-17

On the Characteristics,Classification and Transmission of the Microfilms
Yang Xiaolin;

..............page:18-27

Cultural Identity and Emotional Construction in Peter Chan film“Go up North”for Ten Years
Ma Ting;

..............page:28-32

The Philosophy and Logic of the Art Laws
Lan Fan;

..............page:33-38

The Mission and Ultimate Target of the Art Theory
Liang Jiu;

..............page:39-44+2

On the Artistic and Capital Logic in the Ethnic Songs and Dances of Yang Liping——The Enlightenment of the 10^th Anniversary Edition of Dynamic Yunnan
Mu Yu;

..............page:45-53

A Sacred Physical Art in the Village Rites——An Anthropological Study of the Armour Dance in Hei Shui Area,the Upper Reaches of Mingjiang River
Li Xianglin;

..............page:54-62

The Re- examination on the Categorization of the Qiang Folk Songs
Cui Shanzi;Jin Yifeng;

..............page:63-69

Space,Roles and Rights——On the Gender Consciousness Development in the Evolution of Wailing Songs in Tujia Wedding of Western Hubei Province
Chen Rong;

..............page:70-79

On “Rite and Music”in Confucian Analects Chapter III: Eight Yi
An Ping;

..............page:80-86

A Brief Analysis on the Essential Questions of Quanzhou Nanyin’s Inheritance——Taking the Nanyin Vocal Performance as an Example
Chen Xiaoyu;Shang Jing;

..............page:87-93

Recollections of Guan Shushuang,A Master of Peking Opera
Zhang Shuyong;

..............page:94-97

Query on the Argument that Stylization Does Not Fit into Modern Chinese Xiqu
Xiong Shu;

..............page:98-102

A Theatrical Practice of Shakespeare’s Drama in the History of Modern Chinese Drama: A Review of the Performance of The Merchant of Venice in June,1937
Duan xuyi;Xie Hong;

..............page:103-108

Dilemmas and Countermeasures to the Development of Shadow Puppetry in the Context of New Media——A Case Study of Wangkui Shadow Play in Heilongjiang Province
Yan Zifei;Jia Ziyuan;

..............page:109-113

min zu yi shu yan jiu ru xuan fu yin bao kan zi liao zhong yao zhuan zai lai yuan qi kan (2014 nian ban )
shu yu ;

..............page:113

The Aesthetic Concepts of Traditional Chinese Figure Paintings and Its Value Reflection in Contemporary Paintings
Lu Jiachuan;

..............page:114-121

An Exotic Wind——The Communication of Woman’s Dress between Xinjiang and Central District of China from Southern and Northern Dynasties to Sui And Tang Dynasties
Zhang Beibei;

..............page:122-130

A Comparative Study of Shi Que Art in Ba and Shu in Han Dynasty
Chen Xuchun;

..............page:131-138

The Creative Application of Dress Patterns of She Minority in the Design of Brands and Packaging
Chen Xinghai;Liao Haijin;Sen Wen;

..............page:139-142

On the Localization and Internationalization of Yunnan Entertainment Industry’s Going Out of China——Taking the Production of The Angkor Smile as An Example
Li Hanjing;

..............page:143-150

A Study of the Market Operating Models of Chinese Animation Industry
Xiao Xin;

..............page:151-156

fan ying hao you hua zuo pin
fan ying hao ;

..............page:157

hu tian zuo you hua zuo pin
hu tian zuo ;

..............page:158

lv jin cheng guo hua zuo pin
lv jin cheng ;

..............page:159

pei hai guo hua zuo pin
pei hai ;

..............page:160

da li xue yuan yi shu xue yuan jiao shi zuo pin xuan deng

..............page:161

ge bao ru she ji zuo pin
ge bao ru ;

..............page:162

zhang jun she ji zuo pin
zhang jun ;

..............page:163

cai cheng hai she ji zuo pin
cai cheng hai ;

..............page:164

quan xue mei she ying zuo pin
quan xue mei ;

..............page:165