Studies In National Art 2015 Issue 5 kong guo qiao zuo pin

kong guo qiao zuo pin
kong guo qiao ;

..............page:2

The discrimination and discussion on the conceptions of anthropology of dance
WANG Jianmin;

..............page:5-11

The Concept of Culture and Anthropology of Dance
ZHANG Xi;

..............page:12-20

Dance,Symbol and the Representation of Ethnic Identity:A case study of Ersu people in Sichuan
WU Da;

..............page:21-26

cong qing ping ban dao xi hu lun tan
luo huai zhen ;

..............page:27-31

On the “Distortion”of Traditional Chinese Opera in Contemporary Dissemination
SHEN Yong;

..............page:32-40

Vivid and Free Expression,and Unified Ultimate Goal:Diversified Development Paths of Chinese Opera
ZHENG Yongwei;

..............page:41-46

Role Definition and Value Diversification of Local Opera Troupes:A Case Study of the Sichuan Opera Theater in Chongqing
HUANG Bo;

..............page:47-52

On the Inheritance Dilemma of Chinese Opera in Modern Context
LI Hongyan;

..............page:53-58

Construction of the Dynamic Logic of Opera Inheritance:A Reflection on the Debate about “Inheritance and Innovation”
ZHENG Rongjian;

..............page:59-64

A Review of the Twelve Modern Military Choreographers
YU Ping;

..............page:65-77

From the Dance Imagery in Poetry to the Multiple Alignment of Dance Symbols
MAO Hui;

..............page:78-81

Significance of Aesthetic Construction of Yunnan War Songs
SHEN Bo;

..............page:82-91

The Developing History of Music Iconology in the West and a Review of the Status Quo of Music and Dance Iconography in China and Abroad
WANG Ling;

..............page:92-101

Intertextual Relationship between Religious Ritual and Opera:An Acoustic Interpretation of the Ceremony of“Redeem Duchang Vow to God”in Xinhua County in Hunan
ZHAO Shufeng;

..............page:102-108

Blend of National Characteristics with Fashion:A New Choice of Chinese Cinema Aesthetics
JIN Danyuan;ZHAI Ziying;

..............page:109-116

Structure and Meaning:A Study of the Multiple Narrative Styles of New Spy Drama
LI Cheng;

..............page:117-123

Misunderstandings and Breakthroughs of the Orientation and Presentation of Values in Chinese Animation Films
ZHENG Huanzhao;

..............page:124-128

Aesthetic Study on the Landscape Painting of Yanke
YANG Minggang;

..............page:129-136

On Dong Qichangs Painting Image Creation Theory
ZHAO Yibao;ZHAO Meiling;

..............page:137-144

Interpretation of the Graphic Art Characteristics of Shibi Costume of Qiang Minority from the Perspective of Anthropology of Art
ZHANG Ben;ZHANG Xiyuan;

..............page:145-151

A Study of the Market of Chinese Cultural Tourism Performance
LI Na;ZHU Wei;

..............page:152-156

zhong guo mei shu xue yuan cheng gong ju ban di jiu jie impact guo ji ban hua hui yi
yu hong ;

..............page:157-158

hou yin shua di yi jie caa guo ji ban hua shuang nian zhan zuo pin xuan deng

..............page:159-160

shou wang dao ban zhong guo ba da mei shu xue yuan de ban hua zhuan ye zhan lan xian chang he zuo pin xuan deng

..............page:161-162

sheng chang de chuan tong zuo yun mu huo zi zi zhu zhai de ge yin jing yuan

..............page:163-165

suo fei zuo you hua zuo pin
suo fei zuo ;

..............page:166

duan jian shui fen zuo pin
duan jian ;

..............page:167

chen xu hui shui fen zuo pin
chen xu hui ;

..............page:168

wang yan song cha hua zuo pin
wang yan song ;

..............page:169

zheng xi guo hua zuo pin
zheng xi ;

..............page:170

zhang shun zuo guo hua zuo pin
zhang shun zuo ;

..............page:171

quan xue mei she ji zuo pin
quan xue mei ;

..............page:172

shang hui lin she ji zuo pin
shang hui lin ;

..............page:173

qi juan she ji zuo pin
qi juan ;

..............page:174

huang lei she ji zuo pin
huang lei ;

..............page:175

ding zuo she ji zuo pin
ding zuo ;

..............page:176

xiong qing hua dong wei she ji zuo pin
xiong qing hua ; dong wei ;

..............page:179

sheng zuo ju bu shi ban hua
kiki smith;

..............page:180