1003-840X
2016 Issue 4
zhuan ti : zhong guo mei xue yu yi shu fan chou yan jiu
li xiu jian ;
li xiu jian ;
..............page:5
Form and Spirit: The Unique Content and Realm of Chinese Aesthetics
Zhang Fa;the College of Humanities and Arts of Zhejiang Normal University;
Zhang Fa;the College of Humanities and Arts of Zhejiang Normal University;
..............page:5-11
Yun and Wei: The Aesthetic Particularity of Chinese Traditional Arts
Li Xiujian;the Institute of Anthropology of Arts of China National Academy of Arts;
Li Xiujian;the Institute of Anthropology of Arts of China National Academy of Arts;
..............page:12-19
Class and Rule: The Core Category of Chinese Art Criticism——Study Focused on the Six Dynasties and the Tang Dynasty
Yan Chen;the Institute of Culture of Beijing Academy of Social Science;
Yan Chen;the Institute of Culture of Beijing Academy of Social Science;
..............page:20-26
Documentary: A New Driving Force of the International Communication of Ethnic Culture- Thoughts on the Documentary of The West Lake,The South Song Dynasty and Chinese Villages
Lu Haibo;Central Drama Academy;committee member of the National Film Censorship;Beijing Film Association;
Lu Haibo;Central Drama Academy;committee member of the National Film Censorship;Beijing Film Association;
..............page:27-35
..............page:27
Constructing the Cultural Landscape of Ethnic Memory:On the Creation and Dissemination of the Film Themed on Intangible Cultural Heritage
Wang Jushan;Li Shuaichao;Cultural Creativity and Dissemination College of Zhejiang Normal University;
Wang Jushan;Li Shuaichao;Cultural Creativity and Dissemination College of Zhejiang Normal University;
..............page:36-42
Preliminary Analysis of the Visual Interpretation of Folklore in Films
Sun Meng;the Institute of Film and TV Art of Chinese Academy of Arts;
Sun Meng;the Institute of Film and TV Art of Chinese Academy of Arts;
..............page:43-53
Intense Affection and Pain and Spiritual Breakthrough by“Confirming Fantasy with Reality”:Analysis of the Humanistic Spirit of Nanke Dream by Tang Xianzu
Zhang Fuhai;Shanghai Theatre Academy;
Zhang Fuhai;Shanghai Theatre Academy;
..............page:54-64
Chinese Drama under the New Entertainment Dynamic
Wu Ge;the Committee of ESCH of Yunnan PPCC;Yunnan Dramatists Association;
Wu Ge;the Committee of ESCH of Yunnan PPCC;Yunnan Dramatists Association;
..............page:65-70
A Study of Guan Sushuang’s Modern Opera with Minority Ethnic Themes
Fang Guannan;the School of Drama;Yunnan Arts University;
Fang Guannan;the School of Drama;Yunnan Arts University;
..............page:71-76
Evolution of Humanistic Feelings and Cultural Spirit:On the Contemporaneity of Wu Tianming’s Creation
Zhou Xing;Tang Bonong;the College of Arts and Media of Beijing Normal University;Centre for Asian and Chinese Film Studies at Beijing Normal University;
Zhou Xing;Tang Bonong;the College of Arts and Media of Beijing Normal University;Centre for Asian and Chinese Film Studies at Beijing Normal University;
..............page:77-86
Deviation and the Ways of Survival of Chinese New Martial Art Film
Jin Danyuan;Ma Yahui;the Shanghai Film College of Shanghai Univeristy;the journal Art Studies;Yunnan Aesthetics Association;Shanghai Film;TV and Drama Research Society;the Shanghai Film College of Shanghai University;
Jin Danyuan;Ma Yahui;the Shanghai Film College of Shanghai Univeristy;the journal Art Studies;Yunnan Aesthetics Association;Shanghai Film;TV and Drama Research Society;the Shanghai Film College of Shanghai University;
..............page:87-97
On the Culture and Art of Micro Film
Sen Maofang;Yunnan Normal University;
Sen Maofang;Yunnan Normal University;
..............page:98-107
A Review of Japanese Academic Studies of Antiphonal Singing of Ethnic Groups in Southwest China
Cao Yongmei;Kanagawa University;Kokugakuin University;
Cao Yongmei;Kanagawa University;Kokugakuin University;
..............page:108-116
From Folk Music to National Stage Show:A Narration of the Historical Change of Chaozhou Music in the Early Period of New China(1949—1966)
Pan Yanna;School of music and dance;Guangzhou University;
Pan Yanna;School of music and dance;Guangzhou University;
..............page:117-124
Artistic Interpretation of Guqin- themed Literature in the Han- Wei Period and Six Dynasties
Zhang Ziran;the Institute of Song Arts;Henan University;the School of Arts;Henan University;
Zhang Ziran;the Institute of Song Arts;Henan University;the School of Arts;Henan University;
..............page:125-134
The Xuan Fish as the Incarnate of the Hero Gun and the Origin and Evolution of Chi’s Tail
Li Shiwu;the School of Art and Design;Yunnan University;
Li Shiwu;the School of Art and Design;Yunnan University;
..............page:135-141
Research on the Phenomenon of“Preferring the North to the South”in Classical Opera Theory
Pu Han;the School of Literature;Suzhou University;
Pu Han;the School of Literature;Suzhou University;
..............page:142-152
“Qing”: The Ground Color of Chinese Culture and Arts
Lin Shaoxiong;the School of Film;Shanghai University;
Lin Shaoxiong;the School of Film;Shanghai University;
..............page:153-161
A New Research on Jingdezhen Ceramic Painting in the Transitional Period
Xu Liang;the School of Art;Southeast University;Jiangning Museum;
Xu Liang;the School of Art;Southeast University;Jiangning Museum;
..............page:162-168
A Morphological Study of Li Fangying’s Ink Painting of Bamboo
Wang Yunliang;National Academy of Chinese Theatre Arts;
Wang Yunliang;National Academy of Chinese Theatre Arts;
..............page:169-178
The Influence of Opera Performance on the Creation of Popular Woodblock Prints in the Late Ming Dynasty
Jiang Wei;AnHui Xinhua University;
Jiang Wei;AnHui Xinhua University;
..............page:179-184
Analysis of the Concept Forming and Its Application of the “Main Frame”in the Group Dance Works——With the “National Dance Competition”,Chinese Dance the“Lotus Award”and the “Peach Plum Cup”as Cases
Feng Baiyue;Li Ning;the Music College of Wenzhou University;the Journal of Zhejiang Vocational College of Arts;
Feng Baiyue;Li Ning;the Music College of Wenzhou University;the Journal of Zhejiang Vocational College of Arts;
..............page:185-195
Cultural Grounding of Jiarong Guozhuang Dance:Investigation of the Danba Folk Wedding Guozhuang Dance
Zhao Ming;the Art College of Southwest University for Nationalities;
Zhao Ming;the Art College of Southwest University for Nationalities;
..............page:196-204
New Terms and the Shape of Chinese Contemporary Art History
Chen Xiaojuan;the College of Fine Arts of Central China Normal University;
Chen Xiaojuan;the College of Fine Arts of Central China Normal University;
..............page:205-212
On the Necessity of Constructing the Combined Academic Assessment System for Art Studies
Hao Chunyan;the College of Fine Art of Liaocheng Univeristy;
Hao Chunyan;the College of Fine Art of Liaocheng Univeristy;
..............page:213-217
Research on the Origin and Change of the Xiangxi Nuo Masks in Perspective of Anthropology
Luo Yun;Zhong Pu;the Department of Art and Design at Hunan International Economics University;the College of Literature and Laws of Hunan International Economics University;
Luo Yun;Zhong Pu;the Department of Art and Design at Hunan International Economics University;the College of Literature and Laws of Hunan International Economics University;
..............page:218-224
Appeal for the Socialist Core Values in the Transmission of the Intangible Cultural Heritage
Liu Qian;He Ping;the Zhongshan College of University of Electronic Science and Technology of China;the Art School of South China University of Technology;
Liu Qian;He Ping;the Zhongshan College of University of Electronic Science and Technology of China;the Art School of South China University of Technology;
..............page:225-232