Comments on Ye Ning’s View of the Ethnic Dance
Yu Ping;the China Association of Literary Critics;the School of Dance of Nanjing University of the Arts;

..............page:5-12

Studies on the Music and Dance Art along the Maritime Silk Road
Jin Qiu;the School of Performing Arts of Jiangnan Film and Television Art College;the Dance Education Professional Committee of the Chinese Education Society;

..............page:13-22

The Aesthetic Construction of Contemporary Chinese Theatrical Folk Dance in the View of Aesthetic Modernity
Tong Yan;Chen Ruohan;the Journal of Beijing Dance Academy;the School of Arts of Peking University;the Department of Performance;School of Music of Hubei Arts Science University;

..............page:23-28

Transformation and Alienation of the Nuo Opera Mask in the Case of the Wry-mouthed Qin Tong
Ding Shumei;the Institute of Chinese Folk Cultures of Sichuan University;

..............page:29-35

On the Unique Use of Montage in Stan Lai’s Drama:Taking the Drama Like A Dream of A Dreamas An Example
Lu Dan;Xia Shuang;Li Chengyan;the Institute of Media of Yunnan Normal University;the Yunnan Provincial Research Institute for Ethnic Arts;

..............page:36-44

The Dissemination of the Spirit of the Opera Reform in the Heilongjiang Area during the Yan’an New Culture Movement in the Period of Liberation War
Zhao Yunying;the Art Creation Centre of Shanghai Theatre Academy;Shanghai Institute of Film and Television;

..............page:45-51

A Textual Research on Mongolian Tibetan Buddhist Chanting Music
Chu Gaowa;Chinese Conservatory of Music;

..............page:52-59

On the Historical Change and Contemporary Inheritance of the Shidian Ritual Music in Jianshui
Hong Jiang;the School of Music and Dance;Yunnan Normal University;

..............page:60-74

Research Approaches of the History of Chinese Music Culture
Guo Wei;the Institute of Music;Chinese National Academy of Arts;

..............page:75-81

The Aesthetic Style Theory of Abbas’ Author Film
Shi Keyang;Xing Xianghu;the School of Arts and Media of Beijing Normal University;the School of Animation and Media of Qingdao Agriculture University;

..............page:82-89

Three Qualities of the Micro-films
Li Jianqiang;Shanghai Jiaotong University;the Micro-film Research Society of the China Film Critics Society;the Micro-film Professional Committee of the China Yangtze River Delta Universities Film;the Society of Shanghai Film and Television Theory Studies;

..............page:90-97

Huo Jianqi’s Persistence of the Author Film
Zhang Han;the School of Film and Television of Yunnan Academy of Arts;

..............page:98-105

Pursuing the Significance of Humanology in The Theory of Art Studies
Ren Yeyun;the Department of Music of the School of Arts and Media of Beijing Normal University;

..............page:106-112

The Theoretical Construction of “Art Theory Studies”: Taking the Illustration of the Theory of Art Form in Yue Ji as An Example
Song Kebin;the School of Arts and Media of Beijing Normal University;

..............page:113-121

The Guiding Value of Art Theory Studies for the Construction of the Art Discipline
Ma Qiyue;the School of Arts and Media of Beijing Normal University;

..............page:122-128

Study on the Costume Totem of the Miao Nationality in Shidong from the Perspective of Educational Anthropology
Wang Wei;Liu Feng;Ye Yajun;the School of History and National Culture;Guizhou University;Guizhou University;the School of History and National Culture;

..............page:129-137

The Shamanistic Characteristics of Zuojiang River’s Rock Art
Xiao Bo;Nanjing Normal University;Guangxi Museum of Nationalities;

..............page:138-143

Comparative Art Studies and Contemporary Western Cultural Theories
Li Beilei;the School of Art;Southeast University;

..............page:144-151

Art Origin: From the East to the West
He Hua;the School of Art;Henan University;

..............page:152-158

The Relevance between the “Palace Repining” Imagery in Painting and That in Poetry: A Case Study of the Noble Woman Murals of Two Tang Dynasty Tombs
Liu Xiaojie;the School of Art;Southeast University;

..............page:159-166

The Reasons and Value of Launching the Curriculum Art Discipline and the Choice of Major
Liang Jiu;the School of Arts and Media of Beijing Normal University;

..............page:167-174

Impression of the Art Education in Auburn University and Washington State University Tri-Cities in the USA
Hou Junbo;the School of Fine Arts of Jiangxi Normal University;

..............page:175-180

Textual Research on the Anyang Epitaph of the Painter Liu Shagui in the Northern Qi Dynasty
Dong Rui;the School of Art;Henan University;the School of History and Culture;Henan University;the Institute of Song Dynasty Art;Henan University;

..............page:181-187

Investigation of the Theoretical Basis of Chinese Art Anthropology
Wang Yongjian;the Institute of Art Anthropology of Chinese Academy of Arts;

..............page:188-193

From the Perspective of the Other to Diverse Identities:A Study of the Museum Exhibition Curating in Anthropological Perspective
Liu Fan;Wuhan Textile University;South-Center University for Nationalities;

..............page:194-203

The Light and Shadow of the Tradition: On the Film Song of the Phoenix and the Bai Suona Artisan besides the Er’hai Lake
Yang Xifan;the School of Music of Nanjing University of the Arts;

..............page:204-210

The Interactive Facilitation between Culture and Arts in the Han-Tang Glorious Period
Huang Yongjian;Yue Dingcong;Wang Lele;the Institute of Cultural Industry of Shenzhen University;the School of Design of Shenzhen University;

..............page:211-217

Current Situation and Resolutions to the Yunnan Film and Television Industry in the New Century
Guo Pengqun;Wang Hongbin;the School of Humanities of Kunming University;the Centre of Film and Television of Yunnan Provincial Research Institute for Ethnic Arts;

..............page:218-226