Shanghai Arts & Crafts 2013 Issue 4 General description for ancient porcelain pillows

General description for ancient porcelain pillows
chen zuo jun ;

..............page:3-4+2

"Ancient Western Sailing Ship Woven with Ivory Wire" demonstrates excelling artistic craftsmanship
song zhong de ;

..............page:5

A grand "Shanghai-style" arts and crafts culture feast
fen yi ;

..............page:8-13

2013’ Beijing International Contemporary Metal Art Exhibition is held
wang xiao zuo ;

..............page:14-15

Jinhuidui Treasures
jiang jia ;

..............page:16-17

How Can We Blaze Innovative Road For Traditional Handicrafts
hua jue ming ;

..............page:18-19

Nordic Design Creativity Week is held
lu yi ;

..............page:20-21

"Esprit Dior" is fully demonstrated in MOCA Shanghai
dai lan ;

..............page:22-23

Cutting-edge player of Shanghai Embroidery Art
bian jie ;

..............page:24-26

Singapore sculptor Lin Yuanfa
xin yi ;

..............page:27-29

A beautiful combination of tea ware and tea
ding jia qing ;

..............page:30-33

Brand Story of Bernardaud
ai lin ;

..............page:34-36

Indian Wooden Art Which Carves The Eternal Time
wang min ;

..............page:37-39

Classic of Tea·Colored Porcelain·Color Enamel
tang zhao ji ;

..............page:40-42

Appreciation For Taiwanese Potter Yang Zhengyong’s Artworks
shen liu xin ;

..............page:43-45

Packaging——Technology And Culture
zhao zuo liang ;

..............page:46-47

White Jade Is Eternal And Classic Collectible
qian zhen feng ;

..............page:48-50

Inheritance and innovation of Huizhou-style Three Carvings
jiang yu jin ;

..............page:51-53

Forging ahead together with beauty buttons
hu xiao yang ;

..............page:54-55

Functional thinking and application value of jade carving culture
yan gui ming ;

..............page:56-57

Aesthetic intuition for jadeware
xia li ren ;

..............page:58-59

Triple realm in the external beauty of Shanghai-style Jade Carving
feng xiang ;

..............page:60-61

Amber Carving Art
zheng sheng shuai ;

..............page:62-63

Rediscovery
li jing nan ; zhang yun bang ;

..............page:64-67

Development history of Zhoushan Nut Carving
shuai dao fu ;

..............page:68-69

Dreams And Hallucinations Habitat
zhang yuan zuo ;

..............page:70-72

The design back to the original
han rong ;

..............page:73-75

Practice on Susan Lange "individual art symbol"
zhang shi hui ;

..............page:76-78

An Illustration on the Font Design of Headlines of Oriental Pictorial in Shanghai
huang yan hua ;

..............page:79-81

Between light and shadow Talking about the unique charm of silhouette animation
yang wen zuo ;

..............page:82-84

emotional expression in contemporary sculpture creation
guan juan ;

..............page:85-87

Longquan Celadon——Potential Blockbuster On The Emerging Market
zhu zuo yu ; zheng dong mei ;

..............page:88-90

On the field investigation for handicraft training
zhao xiong gui ;

..............page:91-93

Exploration for new cultivation and teaching modes of contemporary arts and crafts talents
yao dan ;

..............page:94-95

Being tailored to the raw material with consideration to processes
shen jie ;

..............page:96-98

Decorative features of ceramic art
gao si zuo ;

..............page:99-101

Exploration For A Wide Range Of Materials In The Conceptual Jewelry Design
zhang dan ;

..............page:102-104

"Chinese White" ——Revealing Password Of Dehua Kiln
chen ren hai ;

..............page:105-107

Brief Probe Into The Creation Of Glass Calligraphy Implements
wang qin ;

..............page:108-109

New Look Of Refined Craftworks
cao ping ;

..............page:110-111

Enamel Craft And Imperial Cloisonne Dark-Red Enameled Pottery Teapot
xu zhi gang ;

..............page:112-113

Wu Weiqing,Founder of Longquan Nantian Kiln Celadon
zhou xiao feng ;

..............page:114-115