Shanghai Arts & Crafts 2015 Issue 3 Inkslab Essences of Shanghai Museum

Inkslab Essences of Shanghai Museum
chen zuo jun ;

..............page:2-5

Selection in Multi-culturism
zhou bing ;

..............page:8-9

Shanghai’s Color,Flavor and Fragrance
dai yi ru ;

..............page:10-11

Carving Jade into Masterpieces
liu zuo ;

..............page:12-13

China Enterprises Good Logo Design Award,Tokyo
wang chao ying ;

..............page:14-17

Unveiling of “2015’ National Paper Cutting Masterpiece Exhibition”

..............page:18-19

Beautiful Legends in Colors
xia ying ;

..............page:20-21

Cheng Tu:Literature Value of Gu Embroidery
xu qin ;

..............page:22-25

Collected Works of Jade Patterns is Published
qian zhen feng ;

..............page:26-27

Peony Decoration of Yaozhou Kiln
tang zhao ji ;

..............page:28-31

Shen Kiln at High Degree of Professional Perfection
zhu zhu ; sheng da peng ;

..............page:32-33

Brief Analysis for Plastic Arts of Products
sun pei ;

..............page:34-35

Destiny that Ties Goldware and Jadeware with Artist
li yan xiang ;

..............page:36-37

Brief Discussion about Development and Evolution of Filigree Craft
wang zuo ;

..............page:38-39

chuan cheng jing dian rong guan zhong xi hai pai jia ju zhi zuo ji yi
zuo zhi wei ;

..............page:40-42

Usage Nature and Classification of Official Kiln Porcelain of the Ming Dynasty
zhu yu ping ;

..............page:43-45

A Long Journey of Contemporary Ceramic Art
zhu zuo yu ;

..............page:46-48

Shanghai Boxwood Carving Styles and Characteristics
liu zuo zuo ;

..............page:49-51

Amazing Chinese Fashion Four Hundred Years Ago
hang yi ;

..............page:52-53

Classification and of Female Donors Facial Decorations in Murals of the Five Dynasties in Mogao Grottoes
yuan meng ya ; zhao qiang ;

..............page:54-56

Certificate-issuing Conference for the Third Batch of Shanghai Arts and Crafts Masters Is Held
hang xun ;

..............page:57

“Handmade in Germany"Art Exhibition Is Presented in Shanghai
kong li ;

..............page:58-59

Jade Carving for Cultivating the Mind
fang yuan ;

..............page:60-61

Different Kinds of Silk in Old Dreams
mu chou ;

..............page:62-63

Jewelry Designer Zhu Wenjun

..............page:64-65

Flower World:Soul and Spirit
long yi mei ;

..............page:66-67

Expressions of Bamboo Carving Techniques and Light Carving Techniques
zhou yi hai ;

..............page:68-70

Call for Artworks of Shanghai Original Paper Art Exhibition

..............page:70

Use of color in the thematic display venue design and performance
zhang li jun ;

..............page:72-74

Transformation Of Jun Porcelain Of Yuzhou Toward Crafts
zheng hui ;

..............page:75-77

Iron art doors on the city texture
yang hong li ;

..............page:78-80

The study of silver incense burner with design of grape flowers and birds
chen fei ;

..............page:81-83

Artistic Features and Creative Development of Character Modeling in Miao Embroidery
yang zi ai ;

..............page:84-86

Logo Adds Brilliance to Cartoon Film
zuo xiao ting ;

..............page:87-89

Gorgeous Clouds-ltchiku Kubota’s Tsujigahana
han zuo zuo ;

..............page:90-91

Special Applications of Camera Language in Architectural Animation
ni ;

..............page:92-94

Style Parallel Technique in Poster Design
luo jia sheng ;

..............page:95-97

Explorations for Expression Techniques of Suzhou Gardens in Jewelry
yang xu dong ;

..............page:98-99

Jade Carving Innovation and Blend with Similar Arts
tang zuo zuo ;

..............page:100-102

Collection activities by The Shanghai Arts&Crafts Research Institute of the 60^th Anniversary Exhibition

..............page:103

Purple Sand Sculpture Highlights Great Beauty
pan xiang yang ;

..............page:104-106

Missions of the Chinese Traditional Jade Culture
cai bo ;

..............page:107-109

Flourishing of Chaozhou Woodcarvings and Specific Reason
li zhao yi ;

..............page:110-111

Expressionist design movement since the 1980s
huang li an ;

..............page:112-114