Contemporary Cinema 2015 Issue 8 The History, Presence and Future of Chinese Films of Anti-Japanese Aggression War(Anti-Fascist Film)

The History, Presence and Future of Chinese Films of Anti-Japanese Aggression War(Anti-Fascist Film)
hu ke ; zhao ning yu ; li zhen ; zhan qing sheng ; yin peng fei ;

..............page:4-16

Observations of Chinese Anti-Japanese Aggressions(Anti-Fascist) Movies

..............page:4

The Spiritual and Physical Exhibition and Cultural Symptom of Chinese Films of Anti-Japanese Aggression War
Li Daoxin;

..............page:16-21

dong
xing jian ; tian hui qun ; zuo heng ; guo rui ;

..............page:22-29

zhuo yao ji : hu lian wang si wei yu ying xiang xin yuan su
zhao wei fang ;

..............page:30-32

zhuo yao ji : zhen ren yu dong hua de qi huan zhi lv
zhou zuo ;

..............page:33-36

shao nv na zuo : yi chang tong chu yu fen nu de qing chun xian ji
zhang bin ning ;

..............page:36-38

On War Film as an Genre Film
Hong Fan;

..............page:39-43

On the Functions of "Propaganda" and "Dialogue" of War Film: The Change of Textual Significance of the Pacific War
Liu Hui;

..............page:43-48

The Succession and Revolution of American War Films after “9·11” Incident
Lu Chunyan;Lan Duo;

..............page:48-53

Another World: The Study of War Film Image Design
Wan Zijing;

..............page:53-58

The Interview with Zhang Yibai
zhang yi bai ; li xun ; wang xiao xia ;

..............page:59-66

Zhang Yibai: Priasing Urban People’s Emotional Life Through Films
Zhan Di;

..............page:66-70

From “Author Film” to “Database Film”: On Zhang Yiba’s Film Creation
Wang Liang;

..............page:70-74

A Seeker of Chinese Martial Arts Movies
xu zuo feng ; jia lei lei ; fu qiang ; lai jian jing ;

..............page:75-80

The Memory of the WWII and WWII in the Memory: On the War Representation in Japanese Movies
Yan Ni;

..............page:81-86

Introspection and Redressing Injustices: Japanese Movies of Class B and Class C War Crimes Trial
Zhang Xinmin;

..............page:86-92

The War from An Independent Producer’s Perspective: On Kaneto Shindo’s Posthumous Film Postcard
Han Yanli;

..............page:92-96

dian ying jie shao

..............page:97-100+201-202

“The Japanese” in the Movies Involved with Japanese Self-Defense Forces: The Modern Nationalism in the Works since 2005
Sudo Noriko;Mei Ding’e;

..............page:97-102

Chen Yunshang: The Movie Queen during the Isolated Island Period in Shanghai
Feng Qun;

..............page:103-106

The Haunted House: Genre, Author and Cultural Politics of Hong Kong Film after WWII
Su Tao;

..............page:107-111

The Study of Chinese Legendary Media Image Anna May Wong: With The Pei-Yang Pictorial News, Tientsin, as an Example
Yin Yan;Wang Que;

..............page:112-118

Exploring the Reasons of Chinese Silent Film Translation
Jin Haina;Shao Haijing;

..............page:118-121

The Market Surveys of and Reflections on Chinese Films about Heroes and Models
He Zujian;Yang Rongqing;

..............page:122-127

The Market and Cultural Reflection on The Fast and The Furious 7
Xu Hong;

..............page:128-132

Film Performance in the CG Era
Wei Wei;

..............page:132-135

National Image Expression in Chinese Films of Ethnic Themes since 2000
Zhang Xinxian;

..............page:136-139

The Modernity of Cultural Expression in Chinese Films of Ethnic Themes in New Media Era
Jiang Xiao;Yuan Haiyan;

..............page:139-142

The Genre Tendency of Landscape Space in Minority Regions in the Commercial Films in New Media Era
Xu Meng;

..............page:142-145

From Observer to Participator: The Development of Visual Aesthetics of Contemporary Experimental Film Audience
Jin Mei;Luo Xujun;

..............page:146-148

On the Guidance of Film Prosthetics Make-up to Audience’s Aesthetic Attainment
Liu Min;

..............page:148-151

On the Cultural Communication of Film Costumes and the Aesthetic Acceptance of Audience
Zhang Ling;

..............page:152-155

On the Visual Communication Effect of Costumes in Film
Xie Zi;

..............page:155-158

Issues and Solutions to Costume & Make-up Design of Characters in Film and TV Programs
Li Nan;

..............page:158-161

The Magic Vision of Band-Aid: Ideal Experience of Interactive Animation
Shen Jiayi;

..............page:162-164

“The Lonely Individual” in American Animated Films
Zhang Lingling;

..............page:165-167

Interpretation of Post-modernistic Elements of Chinese Animated Films with Pleasant Goat and Big Big Wolf as an Example
Yang Haiyan;

..............page:168-170

The Nationalization of Chinese Animated Characters: With the Image of Monkey King in Chinese Animated Films as an Example
Ren Zhantao;

..............page:171-173

The Movement Essence of Animation Applied with Three Theories of Henri Bergeson
Liu tao;

..............page:174-176

Matrix Revolution and the End of Traditional Filming: The Visual Aesthetics and Technical Myth of the CG Era
Zhang Linming;

..............page:177-180

The Metaphor of Growth: The Narrative Strategy and Aesthetic Expression of Contemporary Youth Films
Luo Jun;Wang Xianghui;

..............page:181-184

Game of Violence: The Aesthetic Orientation of Chinese Animated Films
Wang Yingli;

..............page:185-188

Beauty of Cruelty: The Time Aesthetics of Documentary Diary
Chen Qiqi;Shangguan Zihan;

..............page:188-191

The Lost of Souls: The Quality and Aesthetics of National Film and TV Programs
Liu Jing;Huang Wenlu;

..............page:192-194

The Overview on “Symposium in Memory of the 20th Anniversary of Xia Yan’s Death and Anti-Fascist Chinese Movies in the 1930s”
Mo Yucui;

..............page:195-197+2

The Launching Ceremony of Peking University Film Studies Collections and the Symposium of “Film Studies in Peking University”
Shi Xiaoxi;

..............page:197-199

China Micro-Film Working Committee Set Up in Beijing

..............page:199

The Succession and Recreation of Architecture Design in Art Colleges and Universities in China
Sun Mingchun;

..............page:200