Sculpture 2004 Issue 6 "cheng shi hong zhuang " zai quan cheng

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Sculpture
1007-2144
2004 Issue 6

"cheng shi hong zhuang " zai quan cheng

..............page:64

Liubo's Topic

..............page:60-63,封四

Solemn and Quiet Method and Enthusiastic Soul-Gaze at an Angle of Western Classical Sculpture Development History

..............page:58-59

The Extension Space of Japan's Contemporary Art

..............page:56-57

LEI YU'S WORKS

..............page:54-55

DU YONGWEI'S WORKS

..............page:52-53

QIN HONG'S WORKS

..............page:50-51

PAN SONG'S WORKS

..............page:48-49

Sichuan Sculpture Are

..............page:46-47

The Modern Times Circumstance Sculpture and Circumstance

..............page:44-45

Several Thoughts about the Development of China's Urban Sculpture

..............page:42-43

Sentiment of the Ten National Arts, China 2004

..............page:40-41

Exhibit Regional Culture and Shape Humane Spirit-Comments on Huzhou's Sculpture of "Historical and Cultural Celebrity Garden"

..............page:36-39

I Have Word to Say-The Note of Zhang Baogui

..............page:32-35

Shaped between Sky and Earth-Created for the 10th China Sculpture Forum "Seulpture and Architecture"

..............page:31

Monument and Its Publicity as Architectural Art

..............page:29-31

Gu Da Cuo-Use Carving Art to Shape Concretionary Birthplace Soul

..............page:26-28

Do the Sculpture Belong to Art or the Nature?

..............page:24-25

My Attitude to Bad City Sculpture

..............page:22-23

The Public Art in a Specific Atmosphere

..............page:20-22

Public Art and the Public's Participation

..............page:18-19

Ceramic Art Returns to Its Original Purity and Simplicity, and Environment-Feeling on Ceramic Art's Position in Contemporary Public Art

..............page:16-17

Set Sculpture among the Public

..............page:14-15

Effigy Sculpture of Historical Ponder

..............page:6-13

The Classic of China Circumstance Art-Wudang Mountain

..............page:4-5