Sculpture 2009 Issue 3 Record and Introspection——Overview on "China Impetus 2009 Chinese Interna tional Sculpture Almanac Exhibition"

Record and Introspection——Overview on "China Impetus 2009 Chinese Interna tional Sculpture Almanac Exhibition"
Chu Ge

..............page:4

Public Nature of Art-Talk about Xu Hongfei' Sculpture "Nine Days and Nine Nights"
Meng Jua

..............page:10

The China Impetus 2009 Chinese International Sculpture Almanac Exhibition——Transcending Bounds and Deconstruction Academic Special Feature Symposium
Peng Yue

..............page:12

The China Impetus 2009 Chinese International Sculpture Almanac Exhibition——City Reconstruction Academic Special Feature Symposium
Peng Yue

..............page:15

Austere Naturalism——Record of Carving Root Artist Liu Xiaoping
Gao Juming

..............page:20

Read Turkistan Sculptor Chen Yungui's Mad Horse
Ren Zhjtian

..............page:28

The View of Mr.Wang Chaowen's Sculpture Esthetics The Random thoughts about《Sculpture Sculpture》by Wu Weishan
Wu Weishan

..............page:34

Read Ye Yushan's Stone Carving Series
Li Zhongru

..............page:36

Taoism Statue of the Sui Dynasty in Central Shanxi Plain and the North of China
Li Song

..............page:38

Consideration to Chinese Contemporary Art and Market
Fan weimin

..............page:44

The Chinese Capital will Take Control of the Leading Power Gradually
Wang Yihan

..............page:46

Leading Power is Based on Serving People with Feet on the Ground——Dialogue With Art Beijing
Dong Mengyang

..............page:48

Leading Power Originated Form Deep Understanding of the Age——Dialogue With 2009 ShangHai Spring Arts Salon
Ge Qiantao

..............page:49

China Contemporary Art and Market is in the Condition of Adjustment
Wang Shu

..............page:51

Impression of HK International Arts Expo
zhang Yizhou

..............page:52

Art Has No Boundary——impression of View of China Impetus 2009 Chinese International Sculpture Almanac Exhibition
Weng Jianqing

..............page:54

Viewpoint of the Contemporary Art——Deconstruct and Transcend Arts Field-
Song Wei guang

..............page:56

Drawbacks about Inheriting Tradition on Sculpture Field
Liu Libin

..............page:57

How to Talk about Tradition and Make Use of it
Shen Wei

..............page:58

Bring Up the Question Again about the Meaning of Theory
Li Wei

..............page:59

Talk about Transcending the Field of Diversity of Arts
Peng Yue

..............page:60

The Value and Significance of Hong yi-ran's Esthetic Thoughts in the Contemporarv Academic Research
Wu Huaixin

..............page:62

The Emotional Expression of Colors
Xu YuIing

..............page:64

From Traditional Objective Dimension to Modern Ideological Space
Li You

..............page:66

Emotional Express of Visual Power
Zhang Ruoyu

..............page:68

Yunnan Bronzes Art in the Age of Copper
Li Aidong

..............page:70

Talk about the Creation of Maiden Woodcarving
Pan Faqing

..............page:72

Xu Jianguo's Public Art

..............page:74

Urban Reconstruction and Innovation of Landscape Environmental Improvement-Enlightenment With Regard to City Landscape Environment Improvement in Fukuoka Japan
Xiao Xi

..............page:78

Examine Related Departments Function by Sculptor Xu Xiaohong's Copyright Case
Wang Youming

..............page:80

YuDa's Road towards Cultural Industrialisation,Which Emphasizes on Honesty and Truth
Wang Mengjia

..............page:82

Traveler's Scenery——Garden with Fragment Memory
Mu muxi

..............page:84

Fable Life-Pentus and His Animal-human Sculptures
Sui Xi

..............page:86

Dream of Space Tinna and Her Creation
Sui Xi

..............page:88

Consumption and Contemporary Sculpture in Japan
Zhang Wei

..............page:90

The 2th Russian Bensa International Sculpture Camp
Gao Meng

..............page:92

Some One Who Following The Paces of The Times Sulpture Art of Ye Yushan
Li Zhongru

..............page:插1