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Sculpture
1007-2144
2013 Issue 1
xin nian zhi ci
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page:1
The Fourth West Lake International Invitation Sculpture Exhibition Hangzhou,China
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page:6-7
The Art Intervention and the Creating of Poetic Space in Waterfront Area Take The Fourth West Lake International Invitational Sculpture Exhibition Hangzhou, China as an Example
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page:8-11
The Review of "Academic Exchanges and Development of Shanghai Oil Painting (&) Sculpture Institute Cum 2012 Shanghai Sculpture Plan-Life Dimension"Seminar
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page:12-15
"Reactivation" Activates the Ninth Shanghai Biennale
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page:16-17
Waste Metal in Xinjiang Oilfield was Changed into Magnificent Sculptures by Artists
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page:18-19
The 20th Anniversary of China Sculpture Society was Held Together with the 100th Anniversary of National Museum of China
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page:20
The Talk Creation on the Stainless Steel Sculpture Water Moon in Tianjin Cultural Center
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page:22-23
The Explorer of Form and Space——about Mr.Zhu Shangxi's Sculpture Theories and Practices
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page:24-27
ren wu zuo pin xin shang
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page:28-31
Silkworm, Language of Silk——About Liang Shaoji's Art Context
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page:32-33
The Praise of the Authority of Qin Dynasty
Huang Hong
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page:34-35
What is the Reason for "Ugly Sculpture" Standing in City?
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page:36-39
Abstract Sculpture——A Hard-working History for Independence
Zhu Shangxi
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page:40-41
How to Create the Teaching System of Abstract Sculptures —The Sculpture Morphological Study of Calligraphy as a Medium
Li Xiuqin
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page:42-44
Time Life and Abstract Manufacturing
He Liping
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page:44-46
The Attitude in Wind——To See the Work "The Comb of Wind" of Chillida
Qiao Qian
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page:46-48
Abstract is Process——The Thinking of Abstract and Abstract Sculpture
Wang Mengjia
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page:49
The Interest Pattern in the Change of Modern Sculpture
Chen Shi;Zhao Xin
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page:50-51
The Influence of Three Regions' Fusion to the Grotto of Dazu Stone Carving
Liu Jian;Liu Xiao
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page:52-54
The Magical Carvings on the Tip: Ivory Carving Art
Chen Wenqing
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page:54-55
The Rheological Dialectic of the Meaning in Traditional Modeling Sculpture “Winged Figure”
Wan Jixin
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page:56-57
Seed Jade and Gold Sand——The Descriptions of Perfect Combination between Jade Carving and Red Stoneware Teapot
Zhao Guojie
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page:58-59
Excellence with Boorish and Straightforward Characteristics——Appreciation of Wood Carving of the Han Dynasty Unearthed in Wuwei
Yang Fengming
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page:60-61
To Analyze the Cultural Meaning of Chinese Traditional Wood Carving Art
Li Hui
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page:62-63
The Design of Sculpture Base
Lin Jianjun
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page:64-65
Classics is Distant and Excellence is Within Sight——The Abstract of the Analysis that Secretary General Duan Xichen of National Urban Sculpture Committee to Chinese Urban Sculpture
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page:66-69
On Exploration and Practice of the Planning and Construction of Public Art in Beijing Metro
Wang Xixi
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page:70-73
The Gallop of Freedom——Explore the Secrets of Czech Art Market
Wang Qiang
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page:74-79
Cherish Memory of Forerunner and to Encourage Later Students——On The Professor Zheng Ke Teaching Notes IV
Xi Haifei
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page:80-81
I Has Made Sculptures in Nine Country This Year
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page:82-85
The Essay of Indian Sculpture Workshop
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page:86-89
My Isamu Noguchi——Talk about the Intervention to Space and Materials of Isamu Noguchi's Works from the Language of Sculpture
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page:90-93
I Made Stone Carving in Belgium
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page:94
xin xi dong tai
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page:后插1-后插2