Sculpture 2013 Issue 6 The Deconstruction and Construction—

The Deconstruction and Construction——The Report of the China Abstract
Si Wei;

..............page:6-9

The Deconstruction and Construction——The Report of the Forum of the China
Ji Shaofeng;,Weng Jianqing;

..............page:10-13

The Oil Industry Indicates the Power of Art, Waste Steels Construct the Environmental-Friendly Sculptures
Meng Jia;

..............page:14-15

The Creative Spirit which Indicates the Sense of Modest and Gentle——The Sculptures by Cao Chunsheng
Shao Dazhen;

..............page:16-19

To Create the Spirits in Song Mountain——The Abstract of the Forum of the Work Named the Group Sculptures of the Chinese Expeditionary Force and made by Li Chunhua

..............page:20-25

God Reward Those Who Work Hard——The Conversation About Zheng Yukui and His Ceramic Art by Tian Shixin
Xu Yongtao;

..............page:26-29

To Express the Spirit Through the Form,to Capture the Image of Well-Educated Figures——The Overlook of Series of Sculptures Created by Jifeng
Chen Peiyi;

..............page:30-31

The Sculptural Conception of Tomb Sculptures in Han Dynasty and the Theories of "Form"and "Spirit" in the Conception of Pneuma in Han Dynasty
Qu Feng;

..............page:32-35

The Enlightenment of Fiber——The Exploration of the First HangZhou International Fiber Art Exhibition Triennial
Wang Mengjia;

..............page:36-39

Sculpture is not just the Visualized Object
Jiao Xingtao;

..............page:40-42

The Physical Intervention During the Creative Process of Post-modernism Sculptures——The Case Studies of some Western Artists that Belonged to the Period after the Second World War
Chen Chao;

..............page:43-46

Sculpture is Medium——The Contemporary Sculptures of China and the Confirmation of Identities
Li Yucang;

..............page:47-49

The Basic Explanations of the Artistic Atmosphere of Sculpture
Shen Xudong;

..............page:49-51

ren wu jie shao ji zuo pin xuan

..............page:52-55

The Beauty of Color of Dunhuang Sculptures
Chen Mobao;

..............page:56-57

The Historic Building Polychromy in Longnan and Cultural Exchanges between Shu and Long Area——AS Dan Fort Family Courtyard in Wen County for Example
Liu Jiping;

..............page:58-60

The Influence of the Intention of City Towards the Creation of the Sculptures of the City Landscape
Chen Fenglian;,Lei Xingfu;

..............page:60-61

The Sculptural Characteristics of Buddhist Sculptures of the Wei Jin Southern and Northern Dynasties
Dong Yang;

..............page:62-63

The Innovation and Inherit of Wood Carving Art
Lin Feihe;

..............page:64-65

The Analysis of the Plant Patterns on the Traditional Wood-Carving Furnitures
Huang Hui;

..............page:66-67

Putian Jade Carving Under the Ecological Environment of Folk Culture
Chen Jinzhi;

..............page:68-69

The Combination of Environmental Ceramic Art and Public Art
Guo Tiejun;

..............page:70-71

The Explantions of the Process of the Creation about the Modern Urban Sculptures Like the Huge Group Sculptures Named A song of Everlasting Sorrow in HuaXing City in LinTong,Xi'an
Zhang Yutong;

..............page:72-75

The Experiment and Research of Public Art——The Case Study of the Sculptures of the Luanhe South Road in Chengde,HeBei Province
Wang Hu;

..............page:76-81

The Excellent Paradise——The Analysis of the Swiss Art Market
Wang Qiang;

..............page:82-86

Abstract Sculpture
rob ward;

..............page:87-89

The Baroque Sculpture in the Louvre
Song Weiguang;

..............page:90-95

xin xi dong tai

..............page:后插1