Sculpture 2014 Issue 1 ren wu jie shao ji zuo pin xin shang

ren wu jie shao ji zuo pin xin shang

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Sculpture and Media——Overall Review on 19th China Sculpture Forum
Wang Mengjia;,Zeng Jing;

..............page:6-8

Phase 3 Works of Sino-US Cultural Sculpture Park Ribbon-cutting Ceremony was Held in the United States
Hu Chunliang;

..............page:9

"The Vitality of Asia"——2013AACS the 22nd Annual Exhibition of Modern Sculptors Association of Asia

..............page:10-13

A Plate of Multi-Win Chess Game——The Sculpture Exhibition of Jifeng in Wuxi
Yang Qi;

..............page:14-15

Serenity and Emptiness:The Review of the Annual Exhibition "Silent Atmosphere——The Contemporary Revival of Oriental Aesthetics"

..............page:16-18

Close Resemblance can be so Exceptional and Unique that it Shows no Identifiable Signs——Interview to Artist Li Xiangqun
Xu Yongtao;

..............page:18-21

Enter the Artistic Area or Back to Real Life ?——Analysis of the Latest Solo Exhibition of Liqing Named Restaurant
Zhao Yan;

..............page:24-25

"Virtual and Actual"——The Explanation of the Series of Sculptures Named Prescription Created by Wang Xinggang
Peng Feng;

..............page:26-27

The Modeling Features and Cultural Connotations of the Image Belongs to Han Dynasty and Found in Bashu Area,it is about the Barbican Who Play the Flute
Zhang Xiaojie;

..............page:28-33

Artistic Appreciation of Public Spaces

..............page:34-37

Original and Evolved meaning of Media
Fan Weimin;

..............page:38-39

Sculpture Art in the Digital Age
Sun Zhenhua;

..............page:39-41

The "Material Scarcity" of the Sculpture Study
Teng Xiaosong;

..............page:41-43

The Ontology of the Sculpture
Song Furi;

..............page:44-48

Summaries of the Chinese Eaglewood Art Exhibition of Zheng Chunhui and the Academic Symposium of the Culture Communication between Shandong and Fujian Provinces

..............page:49-51

Connotations of the Basalt Appear Naturally and the Basalt Follows the Principles of Nature——The Analysis of the Aesthetic Values and Expressive Methods of Basalt Stone Sculptures
Wu Yiding;

..............page:58-60

Exploration and Consideration on Ceramic Sculpture Courses in Teaching Art and Design
Guo Tiejun;

..............page:60-61

The National Characteristics of Baima Tibetan Embroidery Craft
Yu Yonghong;,Yue Feng;

..............page:62-63

Cultural and Artistical Features of Wood Carving Decoration of Zhao's Courtyard of Qing Dynasty in Kang County
Zhang Yongquan;

..............page:64-66

The Refined Skills are Related to the Divinity:the Analysis of the Wood-Carving Skills in Putian
Lin Hongying;

..............page:66-67

"Materials Intended Use” in Contemporary Sculpture in Practice
Ge Pingwei;

..............page:68-69

The Discussion of the Creation of the Wood Carving Miniature Art
Zhen Yungui;

..............page:70-71

Chinese Eaglewood Art Under the Horizon of Religious Culture
Huang Wangwang;

..............page:72-73

The Analysis of the Creation of the Urban Sculptures in Nowadays Cities A Case Study of the Huge Group Sculpture A Song of Everlasting Sorrow in Huaqing City, Lintong,Xi'an
Zhang Yutong;

..............page:74-77

An Essay of the Lecture Records of Ni Krindukhov
Zhou Simin;

..............page:78-81

"The Specialized Auction of the Bronze Sculptures Created by Yuda” was Appeared in the 2013 Autumn Auction of Poly Group Corporation in Beijing

..............page:82-83

The Creation Camp on the Caribbean Seaside
Liu Yang;

..............page:84-87

Abstract Sculpture
rob ward;

..............page:88-89

The Layout Style of the Uffizi Gallery
Song Weiguang;

..............page:90-92,后插1

xin xi dong tai

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li zu ben tu bo cai zhong chang zhu ming diao su jia xing yong chuan xian sheng jian ji
wang qiang ;

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dong dao xi wai yi xiang xing lao zhu ming diao su jia xing yong chuan xian sheng fang tan lu

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