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Sculpture
1007-2144
2014 Issue 4
The Youth of Art Will Never Graduate——Review of 2014 National College Graduates Excellent Sculpture Exhibition
Xu Yongtao;
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page:6-10
The Coordinates of Abstract——Forum of the Fourth Session of National Senior Abstract Sculpture Training Class
Yang Qi;
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page:11-13
"Focus and Resonance"——Summary of Sculpture Exhibition
Zeng Jing;
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page:14-15
The First "Beautiful Fujian” Sculpture Exhibition
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page:16
There Are Two Exhibitions Named "To Insist on Drawing with Sorrow · Love and Hate in Situ qiao's Art World" and “Temperature of Castings · Situ jie,the Second Generation of Sculptors in China"were Held in CAFA Art Museum
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page:17
jin shu yu peng
li ming ;
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page:18-21
ren wu jie shao ji zuo pin xin shang
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page:22-27,后插17-后插18
What is the Intention of Repair?——Qinglian Temple Sculpture is Facing Reparative Damage
Wang Qiang;
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page:28-30
Expression of the Post-Modern Style in the Fine Art Academies in China Taiwan——The Exploration about the Developmental Trend of the Contemporary Art in China Taiwan after the Sign of ECFA
Zeng Changsheng;
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page:30-33
How to Make the Sculptures to own the Chinese Style?
Sun Zhenhua;
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page:34-36
Aphasia of Chinese Contemporary Sculpture
Zhu Shangxi;
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page:36-39
My Notions about Tradition and Contemporary
Li Xiangqun;
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page:39-40
To Find Myself in the Anxiety which Stems From Influence:How to Let the Chinese Sculpture to be Modernized ?
Li Jiansheng;
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page:40-41
Sculpture which can be Applied In Landscape and Everyday Life
Weng Jianqing;
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page:42-44
After the New Liberalism——Kitsch,the Place of Start
Su Lei;
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page:44-45
The Exploration of Art——Aesthetical Thoughts in the Creative Process of Craft Sculpture Design
Wu Nan;
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page:46-49
Healthy is More Important than Cozy——Discussion of the Design Style and Cultural Conception of Armchair Funiture
Zheng Guoming;
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page:50-51
Exploration of the Application of Dragon-Phoenix Culture in Paint Line Carve Artof Southern Fujian
Wang Yanjun;
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page:52-54
Exquisite Techniques,Delicate Artistic Conceptions——Discussion about the Style of Eaglewood Carving Art in Putian
Zhang Zhihua;
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page:54-55
Creature,Sculpture and Space——Study on the Contempoary Lacquer Art
Chen Qinqun;,She Guohua;
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page:56-58
Based on the Background of the Culture of the Yellow the Study of Scenic Zone Along the Yellow River of Lanzhou Sculpture Gallery
Wang Guorong;,Wang Kefeng;
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page:58-59
The Creative State of "Unity of Heaven and Man"——Analysis about the Artistic Application of Isamu Noguchi's Basalt Carve Art
Wu Yiding;
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page:60-61
Worldly Faces and Lotus,the Heart of Zen and the Spirit of Buddha——Analysis of the Ceramic Arhat Statues in Yi County
Yin Wuming;
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page:62-63
Transformation and Development——Developmental Trend of Contemporary Traditional Craft Art in Cultural Creative Industry
Xu Yuanbao;
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page:64-65
Artistic Features of the Bodhisattva Statues in Xia Huayan Temple
Xu Shaohua;
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page:66-67
Elegance and Vulgarity: Woodcarving Themes in the South Way of Life
Xu Qiusheng;
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page:68-69
On Inheritance of Traditional Folk Woodcarving Motif
Zhu Jianshan;
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page:70-71
Chinese Culture is the Basic, National Spirit is the Principle——Testimonials of Sculptural Creation of Ezhou Celebrity Museum
Ma Jun;
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page:72-75
Discussion in Terms of the Teaching Experiences about Material Lesson In The Sculpture Departments Inuniversites
Li Qiudi;
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page:76-78
The Specialized Auction of the Bronze Sculptures Created by YudaThe Specialized Auction of the Bronze Sculptures Created by Yuda
Hu Chunliang;
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page:79
In Search of the Supernatural in Turkey
Yi Leping;
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page:80-83
Explanation of the "Publicity" of Public Sculptures in Chicago
Li Yiqing;
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page:84-87
The Spanish Art Wizard——Gaudi
Zhang Yunwei;
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page:88-91
xin xi dong tai
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page:后插1-后插2
qing xin qi xi pu mian er lai
cao chun sheng ;
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page:后插3-后插4
liu wan zuo yong yi sheng de shi jian diao ke zi wo
li jun ;, zhou zuo ;
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page:后插5-后插7
liu wan zuo fang tan lu
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page:后插8-后插16