Sculpture 2014 Issue 5 Convergence and Divergence of Crossroad——Analysis of the “Focus and Resonance” Sculpture Exhibition and Interchange Activity

Convergence and Divergence of Crossroad——Analysis of the “Focus and Resonance” Sculpture Exhibition and Interchange Activity
Xiang Yi;

..............page:6-9

Some Viewpoints——About the 4th Abstract Sculpture Class
Liang Hao;

..............page:10-11

Across·Communication·Sublimation——About the 14th Shanghai Nanjing Road Invitational Sculpture Exhibition and Guizhou Sculpture Art Exhibition
Li Gang;

..............page:12-15

The Mountains which Rush to the Sea
Li Jun;

..............page:16-17

Walking Into Guizhou——Document Exhibition of Tian Shixin

..............page:18

Inheritance and Across, the Guide of the Future——Analysis about the Newly Opened Tongye Chamber of Commerce of Putian Carving Crafts
Yong Tao;

..............page:19

Pavel Shevchenko, Professor of Department of Sculpture in St.Petersburg Repin Academy of Fine Arts in Russia
Li Yongkang;

..............page:20-23

ren wu jie shao ji zuo pin xin shang

..............page:24-27

Classical Statues and Elegant Demeanour of Flourishing Age——Analysis about Types and Artistic Features of the Tang Dynasty Buddha Statues in Mogao Grottoes in Dunhuang
Dong Shubing;

..............page:28-30

Summary and Review——Summary of the “Sculpture Exhibition in the 12th National Art Exhibition” which Held in Taiyuan Art Museum
Xu Yongtao;

..............page:31-33

To Shape the Chinese Spirit
Wu Weishan;

..............page:34

Sculpture is still Based on Sculpture Itself
Chen Yungang;

..............page:34-35

Thoughts of the Sculpture Exhibition in the 12th National Art Exhibition
Yin Xiaofeng;

..............page:35-36

Diverse Expansion of the Contemporary Mainstream Culture——Discussion of the Sculpture Exhibition in the 12th National Art Exhibition
Jing Yumin;

..............page:36-37

Discussion of the Combination and Interpenetration of Sculpture and Design
Huang Danhui;,Liu Xiaotao;

..............page:38-41

Language · Time——Two Dimensionalities about the Thinkings of the Relationship Between Sculpture and Design
Yin Wuming;

..............page:41-43

Analysis of the Application of Component Element in Contemporary Sculpture
Han Lu;

..............page:43-45

Knife Edge Two Piece——The Co-performance of IM Pei and Henry Moore in the Space
Qiao Qian;

..............page:45-48

Discussion about the Practical Meanings in Relation to the Combination Between Sculpture and Design
Yu Junfeng;

..............page:48-49

Serve as a Link Between Past and Future, Inherit the Ancient Tradition and Expand the Modern Style—My Experience about the Creation of Landscape Woodcarvings
Huang Xianyan;

..............page:50-51

Protection and Inheritance of Chinese Sculpture Heritage From the Declining Trend of the “Winged Figure”
Wan Jixin;

..............page:52-53

To Use the Carve knife to Decorate the Buddhist Monastery——Analysis about the Decorative Features of Dongyang Wood-Carving in Buddhist architectures
Huang Xiaoming;

..............page:54-56

Analysis about the Artistic Features of Ode to Xixia · The Five Auspicious Patterns——the Compare Between This Work and Another Stone Reliefs
Cai Fuquan;,Song Tao;

..............page:56-58

Urban Sculpture in the Construction of International Holiday Island
Chen Xuebo;

..............page:58-59

Analysis of Developmental Clues of the Three-Dimensional Plastic Arts of Eastern Han Xianbei
Lu Gang;

..............page:60-61

Discussion about the Folk Traditional Clay Sculpture in Hehuang Area
Sui Jianming;

..............page:62-63

Analysis the Design Elements in the Sculptures of Song Dynasty
Lin Yongchao;

..............page:64-65

Textual Research of the Origin of the Willow Guanyin Statues
Song Kaibo;

..............page:66-67

Research of the Innovative and Combinative Design Between Modern Sculpture and Modern Landscape
Wu Shuling;

..............page:68-69

Analysis the Painted Sculpture in Temples in Song Dynasty
Wang Heping;

..............page:70-71

Two Approaches in Relation to the Expression of Placeness of Landscape Sculpture
Guo Jinping;,Wang dongdong;

..............page:72-73

Cultural Value of Changchun World
Shan Dongmei;

..............page:74-75

Application of “Bubble” Subtraction Cutting in the Teaching Process of Abstract Sculpture Course
Lv Shaofan;

..............page:76-79

Appreciation of National Stone Collection Ⅰ
sun wen song ;

..............page:80-83

Exceed of Legend——Revitalization of Iran Art Market
Wang Qiang;

..............page:84-87

Pablo Atchugarry's Sculpture Art
Ma Lin;,Zhen Haomo;

..............page:88-91

xin xi dong tai

..............page:后插1