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Sculpture
1007-2144
2014 Issue 6
zuo pin xuan
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page:1,83
The Inauguration Ceremony of 2014 "Sculptural Changbai Mountain——China Contemporary Sculpture Invitational Exhibition"was Held
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page:6-9
Essay about the Second JiaoPu International Art Camp in China,Taiwan
Wang Xiaohui;
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page:10-11
"An Excellent Sculptor of One Generation, A Skillful Artists of the Time"——Summary of the Retrospective Exhibition of Wang Ximin's Artistic Achievement
Yong Tao;
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page:12
You Must Come to the Scene
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page:13
ren wu jie shao
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page:14-19
The Shiwan Sculpture in the Context of Folk Culture
Chang Shuo;
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page:20-23
To be an Artist for the People, To Create the New Works for the Culture and Art
Cao Chunsheng;
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page:24
To Insist the People and National Standpoint of the Artistic Creation in the Context of Globalization and Economic Tide
Shang Hui;
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page:24-25
To Create the Excellent Works for the People
Chen Shi;
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page:26-27
To Construct Urban Sculptures with Highly Responsible Spirit——Understandings about the Study of Art Work Forum
Yu Huayun;
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page:27-28
Let the Main Vocal to Guide the Artistic Creation
Huang Yuexin;
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page:28-29
To Learn From People, To Learn From Life
Wang Ding;
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page:29-30
Life-Giving Spring Breeze and Rain
Li Daoliu;
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page:30
Transformation and Considerations of Urban Sculpture Teaching Thought
Lin Baogang;,Sun Jing;
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page:32-34
Transformative Stategies of the Development of Sculpture
Qu Feng;
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page:35-36
Sculpture and Design——Discussion about the Differences and Fusion Between Them
Ma Wenjia;
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page:36-39
Inheritance and Development——Discussion about the Historical Mission of Today's Descendants of Quyang Stone Carving
Liu Hongli;
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page:40-41
Analysis about the Origins and Features of the Tin Sculpture in Taiwan,China
Geng Xiaochen;
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page:42-43
Analysis the Artistic Creation of the Rice—Paper Drawing and ZhenGuanXiana Velvet Drawing Named "Sister Flowers"
Wu Xiaojin;
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page:44-45
A Study of Paintings and Carvings on Decorative Tomb Bricks from the Wei and Jin Dynasties in Hexi Corridor——Taking the Ruins of Camel City in Gaotai County, Gansu Province as an Example
Feng Fang;
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page:46-47
Residuals of Statues in Wu shan Muti Temple\——Analysis of Clay Sculpture of the Buddha
Gao Bo;
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page:48-49
Some Understandings about the Agilawood Woodcarving and Buddhism Statues
Wang Fuzhang;
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page:50-51
The Cultural and Artistic Value of Qingyang Sachet Embroidery
Song Wenliang;
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page:52-53
Sculptural Design from the Perspective of Brand Advertisment
Li Shuang;
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page:54-55
Causes and Thinkings of Minnan Ancient Folk Stone Sculpture in Xiamen and Jinmen
Zeng Zhihuan;
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page:56-59
Literary Nature of the Bamboo Pen Container with Figures
Xu Yuanbao;
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page:60-61
To Create Artworks in Accordance of the Materials: the Selection of Theme and Creation about Root Carving Art
Wu Yongqiang;
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page:62-63
The Bronze Sculpture Named Horse and Dragon was Unveiled in America,which Created and Installed by Shanxi Yuda Company
Hu Chunliang;
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page:64-67
Artistic Freedom and Philanthropism Spirit—Summary of Public Art Creation in Rutland, Vermont, US
Xu Guohua;
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page:68-71
To Create the New Model of Public Art Education in Universities——Summary of "Our City"Thematic Public Art Activity in Guangxi Arts Institute
Xu Yongtao;
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page:72-75
Upheaval and Break Through——2014 Shanxi Sculpture Court Report Exhibition
Yong Tao;
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page:76-79
Application of Digital Expressive Methods in the Sculptural Creation Lessons
Shi Xiangdong;
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page:80-82
Appreciation of National Stone Collection Ⅱ
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page:84-87
Everything Grows——Works of German Sculptor Wolfgang Flad
ma ke wei er man ;, song fu ri ;
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page:88-91
xin xi dong tai
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page:后插1