Sculpture 2015 Issue 1 xin nian he ci

xin nian he ci
fan wei min ;

..............page:1

To Sculpt the Soul, To Reflect the History——Wu Weishan's Theme Sculpture Exhibition for the Expansion Project of The Memorial Hall of the Victims in Nanjing Massacre by Japanese Invaders was Held in National Museum

..............page:6-7

"Fat Women" Entered the Palace——Xu Hongfei's Sculpture Exhibition was Held in The Forbidden City

..............page:8-9

Who Will Win the Laurel ?——The 12th National Arts Exhibition Awards were Announced

..............page:10-11

Subject Structure and Style Type——To Analysis the Choice Mechanism of The National Arts Exhibition From 35 Selected Excellent Sculptures
Feng Yuan;

..............page:12-13

Imaginary Charm in the Context of Eastern Culture——Impression of Li Xiangqun's Literati Sculptures
Xu Yongtao;

..............page:14-15

xin xi dong tai

..............page:16-19

Great Folk Culture and Fearless People——Analysis of Liuyong's Artistic Creation
Wang Lin;

..............page:20-23

A Special Case in Chinese Art Circle——Interpretation of Liuyong's Works
Zou Wen;

..............page:24-25

zuo pin xuan

..............page:26-29,80-83

We Cannot See the Real Solid in Three-Dimensional World
Zhang Yutong;

..............page:30-33

Ethical Issues about Repair of Sculptures and Utilization of Replica Techniques
Wang He;

..............page:34-37

Listen to the Classic and Salute to the Master——Discussion about the Exhibitions of Some Foreign Masters' Classical Works
Yong Tao;

..............page:38-43

Sculpture and Design——Explanations about the Theme of The 20th China Sculpture Forum
Fan Weimin;

..............page:44-45

Analysis about the Theory of "Relative" Between Sculpture and Three-dimension Design Art
Dong Mingguang;

..............page:45-47

Experience and Extension of Public Art in Urban Design——Take Seattle Olympic Sculpture Park and Shandong Yantai Seaside Scenic Spot as two Cases
Xia Wa;

..............page:47-49

Exploration of Gannan Type Furniture Decorative Sculpture
Sui Jianming;

..............page:50-51

Analysis of Manzu's Sculpture Art
Wang Muchuan;

..............page:52-53

Research about the Maiji Mountain Grottoes Statue Art in Northern Dynasties
Wang Yihui;,Chen Ping;

..............page:54-55

Discussion of the Transformation about the Aesthetical Conception in Relation to the Woodcarvings Made by Stitching and Carve Techniques
Xu Jianming;

..............page:56-57

To Explain Public Art in the Context of Nowadays China
Li Yue;

..............page:58-59

Summary of the Creative Methods of Contemporary Sculptural Material Language in China
Li Jun;

..............page:60-61

Thoughts of the Significance of Chinese Ancient Buddhism Statues in Relation to Social Aesthetic Activities
Lv Lirong;

..............page:62-63

Analysis of the Lack and Deviation about Preparation and Application of Glaze Materials in Chinese Contemporary Ceramic Art Teaching
Zhou Xuan;,Lin Jieran;

..............page:64-65

Brief Introduction of Sculptural Creations in Mengyin "Yimeng Affection Sculpture Garden" in Shandong Province
Li Yousheng;

..............page:66-73

Let the Art to Appreciate Life——Summary of the Construction of Huge Light Interactive Sculpture Named Subliming Star City in Changsha, Hunan Province
Zheng Ping;

..............page:74-77

The Combination Between Privilege and Luxury, the Intermarriage Between Fashion and Art——Discussion about Appreciation of 99 Limited Edition Sculptures From Yuda Company in Guangzhou Art Fair
Yong Tao;

..............page:78-79

The Modern Sculpture Master in Japan——Shigeo Toya's Sculptural Language
Lin Shenghuang;

..............page:84-87

Chinese People's Misunderstandings of Rodin's Sculptures
Zhu Shangxi;

..............page:88-92

zhong guo zui dong de yi shu zuo pin hei xia zi dao dong ji bao ta jing qu shi diao gong cheng
liu hong li ;

..............page:93-96