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Sculpture
1007-2144
2015 Issue 5
zuo pin xuan
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page:1,78-81,封4
Spirit of Abstraction——The 5th National Abstract Sculpture Senior Training Class
Liu Fulong;
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page:6-8
Walking Together——Zhang YunWei's 60 Years Art Career Teaching Review Exhibition
Wang Rong;
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page:9
Cooperation·Communication·Leap——Chinese Sculpture Enterprise Development Forums and Ceremony for Command and Awarding were Held One After Another
Yong Tao;
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page:10-11
Heart Made Heavenly Match——China Hui'an South Sculpture Exhibition
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page:12-13
Send Words to "Yue Liang"
Tang Yao;
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page:14-15
Contemporary Significance of the Large Thematic City Sculpture Creation
Lin Baogang;
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page:16-19
Zhao Junan's Selected Works about the Commemoration in Relation to the 70th Anniversary of the Victory of War of Resistance Against Japanese Aggression
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page:20-23
Life is Sweet and Long——Analysis of the XianGe in the Hall of Chang Family
Wang Hu;
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page:24-27
Landed on Germany,Chinese Contemporary Art which Face to the West——Interpretation of "China 8-Chinese Contemporary Art Exhibition in Rhein-Ruhr"
Xu Yongtao;
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page:28-30
Conversation of "China 8-Chinese Contemporary Art Exhibition in Rhein-Ruhr"
xu yong tao ;
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page:31-33
Approaches to Chinese Art History
cao yi qiang ;, fang chao ;
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page:34-36
The Two Marginalizations of Science and Peripherization of Humanities
Li Wei;
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page:36-37
Eight Words Carved Soul——Explanations of Chinese Carving Art Philosophy
You Liangzhao;
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page:38-41
Analysis about the Dilemma of "Uncultivated" and "Captivity" in Relation to Contemporary Sculpture Art Education
Zheng Xuanbiao;
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page:42-43
The Cross-Field Integration of Sculpture and Product Design
Lin Wei;
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page:44-45
Analysis of the Localized Characteristics of Chinese Buddhist Grottoes Statues
Leng Weijuan;
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page:46-47
Creativity Has No Format,Crossover Owns Reasons: Discussion about the Fusion Between Contemporary Sculpture and Product Design
Lv Lin;
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page:48-49
Discussion about the Creative Ideas and Conception of "Chinese Ceramic Seal"
Meng Zhaojun;
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page:50-51
To Meditate the Ethereal State From Real Images——Analysis about the Application of Linear Language in Traditional Sculpture
Lin Yongchao;
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page:52-53
A Research on the Artistic Characteristics of FengXiang Clay Sculpture in ShanXi Province
Song Wenliang;
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page:54-55
Dragon Culture in Chinese Classical Gardens
Wang Juan;
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page:56-57
Research of the Function Realization and the Combination Between Sculpture and Product Design
Wu Shaolan;,She Siying;
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page:58-60
To Recreate the Wood-Carving Language in Increasing the Sculptural Style of Craft Furniture——Discussion about the Design Ideas of Lotus Arhat Bed
Chen Yushu;
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page:60-61
Analysis of the Folk Theme of Putian Wood-Carving
Xu Guohua;
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page:62-63
Explanations about Qualities and Creative Ideas of HeTian Jade Carvings
Zheng Zhiyong;
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page:64-65
Fusion·Promotion·Development——Design Elements of the Nowadays Developing Sculpture Art Region
Cui Jiaqiang;
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page:66-67
The Guardian of ShanDong LongShan Black Pottery Culture ——QuBing's Black Pottery Art
Teng Mingtang;
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page:68-69
Spatial Arrangement of Sculpture and Visual Aesthetical Construction in the Design Plan of Sitte Plaza
Wang Laiyang;
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page:70-73
The Completion of the Repair Work of Long Live the People's Communes in National Agricultural Exhibition Centre
Wang Jiang;,Dong Wei;
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page:74-75
Discussion of the Molding Conception about Animation Art Foundation Teaching in Digital Age
Ma Xin;
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page:76-77
David Cerny's Prague
Han Kui;
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page:82-85
Igor Mitoraj
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page:86-87
Sculpture of Journey to the West——Visit to Venice Biennale
Xu E;,Sun Shengnan;
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page:88-92