Sculpture 2016 Issue 2 zuo pin xuan

zuo pin xuan

..............page:1,封4

The Covenant of Rainbow——Communicative Art Exhibition Between Both Sides of the Taiwan Straits
Xu Yuexiang;,Cao Yuanqi;

..............page:6-12

A Series of Artworks Donated to NAMOC:Passion and Responsibility——Exhibition of Arts by Situ Qiao and Situ Jie

..............page:13

Wing——The Second Seasonal Itinerant Exhibition of The Chinese Sculpture Society Youth Promotion Plan
Wu Hongliang;

..............page:14-15

Cultivate One's Taste,Art Indicates Morality——Ceramic Master Ge Jun and the Research of His Creations
Xu Yongtao;

..............page:16-19

Some Thinkings about Exhibition and Work
Ma Hongfa;

..............page:20-23

Looking For Wang Jingyuan
Sun Yuan;

..............page:24-31

Sculptural Aesthetics in the Modern Furniture Art Under the Geometric Structure
Yong Tao;

..............page:32-35

Re-understanding of Rodin——Zhu Shangxi's Sculpture Diary
Zhu Shangxi;

..............page:36-40

Where is the "Carving" and "moulding"?
Ma Qinzhong;

..............page:40-43

The Spiritual Explanation of Woodcarving Creation
Chen Jinlin;

..............page:44-45

Further Discussion on the Great Truth, Supreme Benevolence,Breathtaking Beauty in Sculptures Carved by Yu Qingcheng
Chen Wei;

..............page:46-47

Discussion on the Collection-Chain of the Cabinet of Curiosities by Horst Bredekmap——From the Ancient Sculptures to the Cult of the Machine
He Hua;

..............page:48-50

Analysis and Research on the External Image of Traditional Residential Buildings in North Fujian
Li Zhiqiang;,Huang Jing;

..............page:50-51

Analysis of the Complementary Relationship Between Lacquer Painting Art Creation and Sculptural Creation
Tu Jianwu;

..............page:52-53

Study on Regional Characteristics of the Pottery Art and Environmental Space——Take FuJian as an Example
Xu Baoliang;

..............page:54-55

Analysis of Symbolical Characteristics of Environmental Sculpture
Yu Junfeng;,Wang Yike;

..............page:56-58

How to Cultivate the Modern Aesthetic Abilities of Students in the Teaching Process of 3D Composition
Feng Jianji;

..............page:58-59

Awakening and Sublimation Under the "Spirit of the Craftsman"——Discussion about the Inheritance and Development of the Qu Yang Stone Carving Under the New Normal
Liu Tongbao;

..............page:60-61

To Win Others in an Unexpected Legal Way——Creative Conception of Glair Floating Carved Porcelain Plate Painting
Li Qing;

..............page:62-63

Brave Man Who Conquered the Soul——Exploration of Darcy Namdakov's Sculpture
Da Lintai;

..............page:64-66

The New Exploration of Clay Bar Construction Under the Context of Contemporary Ceramic Art
Chen Yifei;

..............page:67-69

Molten Ancient Cast Today——Summary of Sessions about the Research and Facsimile of Chinese Ancient Sculptures in Xi'an Academy of Fine Arts Department of Sculpture
Wang Zhigang;

..............page:70-72

Research of Realistic Sculpture Foundation Teaching
Li Tongtong;

..............page:73-75

State-Level Intangible Value of Putian Woodcarving
Li Yuguang;

..............page:76-80

Learn Widely From Others' Strong Points to Practice Sculptural Techniques,To be the Assistant of the Masters to Indicate the Artistic Taste——My Three Good Fortunes
Huang Xianwu;

..............page:81-83

The Fantastic Sculpture Garden
Lu Yaoshi;

..............page:84-85

Enter Into the Artistic State——The First Public Sculpture Exhibition in the East Lake Park in Chengdu
He Guiyan;

..............page:86-87

The Livable Art Gallery,The Holy Temple of Aesthetic——An Art Hotel in Hamburg
Yong Tao;

..............page:88-89

Reconsideration of Isamu Noguchi——The Exploration of Isamu Noguchi Garden Museum in Shikoku, Japan
Xu Sheng;

..............page:90-91

Bart'd Eyckermans' Vulcan

..............page:92

sun wu song da xing dong gan diao su zhi zuo shi li
zhu shang zuo ;

..............page:93-96