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Sculpture
1007-2144
2016 Issue 4
zuo pin xuan
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page:1,93-96
Innovative Development Will Surpass the Future——2016 The Excellent Sculpture Exhibition of National College Graduates
Yong Tao;
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page:6-7
Breath——The Contemporary Shape and Modeling of Chinese Traditional Culture
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page:8-11
Development, Inheritance and Creativity of Modern Root-Carving Art——The First China · Changzhi "Shennong Cup" Thuja Root-Carving Artists' Exquisite Works Invitational Exhibition
Chang Yanbing;
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page:12-15
Huge Landscape Sculpture Nüwa
Liu Yijie;
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page:16-17
Cultural Spirit of Public Art
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page:18-21
Exploration· lysis· Recreate Interpretation of Feng Chongli's Works
Sun Zhenhua;
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page:22-25
Investigation of the History of Ancestor Sculpture
Wu Can;
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page:26-29
As Material of the Creation of Contemporary Art——Features of Glass
Li Feng;
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page:30-31
Giacometti Got Self-Cognition from Sculptures
jiang xiao mei ;
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page:32-33
To Appreciate Giacometti's Works From the Pespective of Artistic Creation
Luo Jin;
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page:34
Night Talk about Giacometti
chi zuo ;
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page:34-35
The Female Experience Methods and Horizons in Giacometti's Works
Yuan Jia;
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page:35
Misgiving Panic Unsteady——Giacometti's Emotional Nature of Art and Expressive Methods
Wang Wenjuan;
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page:36
Interpretation of Some Significant Female Roles in Giacometti's Works
Han Lu;
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page:37-38
Vanity, Indifference and Alienated Truth——Analysis of Expression of Feelings in Giacometti's Works
Bai Yu;
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page:38-39
Giacometti's Sculptures——Sense of Distance that Unrelated about Far and Near
Yu Jiankun;
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page:39-40
Giacometti in My Heart
Yao Yanling;
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page:40-41
Lead me by Giacometti
Yang Wei;
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page:41
Urgent Mission of Sculpture
Zhu Shangxi;
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page:42-43
Nationalization Another Way of Artistic Indication in the Age of Globalization
Qiao Qian;
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page:43-44
Style is not Equal to Territory
Wang Qiang;
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page:44-46
Cultural Gaze——Thinking about Tradition and Modernity
Zhang Wei;
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page:46-47
An Innovative Practice of Cross-border Teaching about the Insertion of Marketing Awareness into Environmental Art and Design Courses
Liang Qing;,Zhang Ming;
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page:48-49
Innovative Approaches of the Cartoon Doll of "Chinese Opera"
Cai Zhiqiang;
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page:50-51
Exploration of the Freehand Brushwork in Chinese Folk Painted Sculpture
Li Bei;
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page:52-54
Interactive Connection Between Public Art and Audience
Chen Gang;
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page:54-55
The Essence of Ancient Folk Art——Research of Brick Carving and Imperial Roof Decoration in Gangu
Tan Yaqin;,Pan Yi;
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page:56-57
Analysis of Artistic and Aesthetic Value of Zhuoni Tao Inkslab
Huang Limin;,Yang Tiantian;
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page:58-59
The Sprout of Contemporary Art Concepts From Sculptures of Impressionists
Zhang Chunhui;
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page:60-61
Evolution Process of Maitreya Crowns——From the Early Period of Indian Buddhism to Northern Wei Dynasty in China
Long Zhong;
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page:62-63
Exploration of Transmutations of Hakka Ceramic of the West of Fujian in Different Periods
Li Min;
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page:64-65
Primary Investigation of Sculpture and Poetic Lifestyle
Wupan Erya;
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page:66-67
To Take Advantage of Transplanting and Scaling to Promote the Merging of Sculpture and Products
Liu Xiaohong;
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page:68-69
My Own Understandings and Practice in the Studying Process of Traditional Sculpture
Zhang Wei;
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page:70-73
Regarding Nature as One's Teacher Outside and Thinking Spirit as One's Origin Inside——Discussion about Mr.Tao Changpeng's Kettle InkStone Carving Art
Xu Yongtao;
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page:74-77
Common Spiritural Expression and Habitable Town as well as Country——Exploration of Sculptor Liu Yi's City Sculpture Appreciation and Problems of Contemporary Art
Ren Hongfei;
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page:78-81
From Showing Flower to Everyone to The Inheritance of Legacy——"Clothes Mountain and Aims Bowl Shadow" Visual Consturction of the Relationship Between Mind and Object
Feng Yuan;
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page:82-85
Reminiscence of the Old Gentlemen in the Sculpture Department in Suzhou Arts and Crafts School
Yang Ming;,Yang Zhang;,Chen Feng;
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page:86-89
"Artistic Rhapsody" on the Danube——Thinkings of the Communicative Activity in Hungary about "The Silk Road Sail"
Luo Min;
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page:90-92