Sculpture 2016 Issue 6 zuo pin xuan

zuo pin xuan

..............page:1

A Special Combination of the Eastern and Western Sculptures——"Love Follow、Follow" Communicative Exhibition of Chinese and Hungarian Sculptures
Yong Tao;

..............page:6-10

Summary of Forum of "Love · Follow、 Follow——Communicative Exhibition of Chinese and Hungarian Sculptures"
Luo Min;

..............page:10-11

"Co-Existence and Common Prosperity" 2016 China Sculpture Invitational Exhibition

..............page:12-13

The Way Back to Hometown——Liu Jude’s Art Exhibition

..............page:14-15

To Construct the Diverse Dialogue,Summary of "Power of Inheritance——Exhibition of Ma Xinbo and Students "
Feng Zuguang;,Ma Yipeng;

..............page:16-17

The Flying Dreams——Zhanghua Sculpture Exhibition

..............page:18-19

Void and Mystical——Luo Zeren’s Sculptural Creations
Hai Min;

..............page:20-23

ren wu jie shao

..............page:24-25,70-73,90-92

Huo Qubing Grave and the Stone Carvings From the Perspective of Anthropology
Zhuang Jiahui;

..............page:26-29

Inheritance Creates the Great Stories——Summary of the 60 Years anniversary of Tsinghua University Academy of Fine Arts
Xu Yongtao;

..............page:30-35

Insistence Wisdom in Essence
Zhu Shangxi;

..............page:36-37

Inheritance and Contemporary
Zhang Biao;

..............page:37

Insistence and Update——Mediocre Age of Chinese Contemporary Art
Fan Xiaonan;

..............page:38-40

From"A Gentleman's Ability is not Confined to Any One Thing"to "Spirits of Craftsman"
Yin Bing;

..............page:41-42

Discussion of the Modeling Features and Artistic Inheritance of Arhat
Huang Wenzhi;

..............page:42-44

Discussion of the Intertextuality Relevance of Sculptural Ontology and Literariness
Meng Xiangke;

..............page:44-45

The Application of Local Intangible Cultural Heritage in Sculptural Creations
Bai Tianyou;

..............page:46-47

The Origin Research on the Shape Evolution of Shouzhou Kiln Pot
Geng Xiaochen;

..............page:48-49

The Research on Graphic Thinking of Contemporary Public Sculpture Creation
Huang Zhixiong;,Jiang Xiaoyun;

..............page:50-51

Thoughts on the Intervention of Sculpture in Commercial Field
Liang Qing;

..............page:52-53

Refined Works of Ancient Folk Art——Explorations of Woodcarvings and Sculptures in Gangu
Pan Ji;,Tan Yaqin;

..............page:54-56

Exploration about Aesthetic Conception and Creative Methods of Silver Carving of She Ethnic Minority Group
Lin Weixing;

..............page:56-57

The Application and Analysis of Productization about Sculptural Modeling Language
Wang Shaofeng;

..............page:58-59

The Inherent Abstract Thinking on Concrete Figure Sculpture
Yang Xiaobo;

..............page:60-62

The Study of the Application about Ecological Sculptural Materials in the Creations of Urban Public Art
Liu Rui;

..............page:62-63

Aesthetic Thinking of Urban Visual Image Design
Zhang Ming;,Cheng Ying;

..............page:64-65

To Climb the High Mountains Bravely——The 2016 Brilliant Achievements of Shanxi Sculpture Court

..............page:66-69

Artistic Atmosphere Dissolves Inner Minds——Construction of the Pubic Space in Hangzhou Children's Hospital
Wang Laiyang;,Wu Long;

..............page:74-79

Creative Essay of Golden Flower Princess Riding a Horse
Ma Changli;

..............page:80-81

Notes of the Basic Teaching of Figurative Sculpture
Liu Yuhang;

..............page:82-83

Imitation and Surpass——Discussion of the Visual Practice of Abstract Sculpture
Yu Jiankun;

..............page:84-85

Spread of Civilization is like the Still Water, Brilliant Works may Affect Other Things——Dialogue and Communication of The Silk Road:Collections of the Exhibition of Cultural Relics in 13 Areas
Wen Jing;

..............page:86-88

The Natural Materials are Valuable and the Natural Artistic Styles are Significant——My Own Perspectives of Woodcarving Art
Zheng Damu;

..............page:89

xin xi dong tai

..............page:95-96