Shanghai Theatre 2004 Issue 1 A new page on ballet performance

A new page on ballet performance
xiao yin

..............page:48-49

Finally here I am
ding xi

..............page:46-49

Chinese opera in the eye of a North Korean scholar
zhao shan lin

..............page:44-45

A visit to the hometown of Liu Sanjie Ma
xiao ma

..............page:50-50

Dream of Red Mansion Troupe's visit to Nanning
fang min zuo

..............page:51-51

Screenwriters and directors involved in new,popular dramas
weng xiao zuo

..............page:52-52

New star arising in Peking opera circle
sun zhao lan

..............page:53-53

Skiils adopted in Peking opera
cao ju ren

..............page:54-56

Contemporary Peking opera development
chen hong ; guan er dong

..............page:57-60

Ying Ruochen and the Death of a Salesman
wang you gui

..............page:61-63

Mei Baojiu and his disciples
liu zhuo xian

..............page:99，81

Attired in opera costume
zhang chun yi

..............page:83-83

People in pursuit of dreams
guan xin

..............page:84-85

Cai Zhenren as a trouble shooter
yin mei zuo

..............page:85-86

My first experience in watching opera
chen zi kai

..............page:87-87

Singing opera with my grandchild
gu bing xing

..............page:88-89

Four co-operations between Zhou and Huang
zhu yong kang

..............page:90-91

Six decades' love affair with Peking opera
peng chuan yi

..............page:92-93

Glamour and snobbish
zhang mo zuo

..............page:94-95

New year,new play
yin yun

..............page:96-97

shen cheng ju jie chun yi nong
zuo se

..............page:12，14，15，37，43，49，56，60，69

"Golden Monkey"
du zhi qiang

..............page:封底-封底

Seven decades following the school of Yu
wang jia xi

..............page:42-43

The origin of different schools in Kun opera
xu rong

..............page:40-41

Debates on Kun opera
jiang xing zuo

..............page:38-39

Politics, ethics and love in "Peach Blossom Fan"
wang jun wei

..............page:34-37

The origin of phonology in Peking opera
zhang wei pin

..............page:31-33

Call for good drama
tong dao ming

..............page:30-30

Tradition and innovation in drama
an kui

..............page:28-29

People's power
huai zuo

..............page:25-27

Tokyo's New Year drama scene
fang jun

..............page:24-24

A life devoted to drama
cao lei

..............page:20-23

Hong Kong's experimental drama
lin ke huan

..............page:16-19

Beauty and beast
zhao li hong

..............page:16-16

The most important time of a year is spring
di sai

..............page:15-15

Will heavy-weight muscials be produced in China this year
liu ya

..............page:13-14

Some of Shanghai's drama personalities
kai yan

..............page:12-12

A hard-won date with Lin Hongming
xiao yin

..............page:11-11

More competition,more captivating
xi lai

..............page:10-10

Three wishes for the new year
su shi

..............page:7-9

The Year of the Monkey,the drama about monkey and the king of monkey
gan cao

..............page:5-6

Notice for script writing competition

..............page:1-1

The life of a great opera artist
hai shui

..............page:64-65

Shanghai's puppet show
fu zhong ming

..............page:66-67

Liang Weiping and "Li Jia"
sun hong jiang

..............page:68-69

A comparison of traditional and modern love operas
lv jia

..............page:70-72

Reality counts
liu ping

..............page:73-73

Results announced on "Drama and I" writing contest
an bian

..............page:74-74

Award winners on "Drama aha I" writing contest

..............page:74-74

Recalling Chen Yanqiu's first performance in Shanghai
wang yong yun

..............page:75-76

Yueju and I
shi dong feng

..............page:76-76

A precious traditional Chinese painting on Peking opera history
zuo zuo qing

..............page:77-77

The love affair with drama originated in "Thunderstorm Rain"
cao shu jun

..............page:78-79

Bold announcement made at the first time
yan qing gu

..............page:80，98