Shanghai Theatre 2010 Issue 11 Performing Experience On Ouyang Fang

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Shanghai Theatre
0559-7277
2010 Issue 11

Performing Experience On Ouyang Fang

..............page:21

Discussion or Mystery Drama in Shanghai

..............page:46-47

Drama《Elder Brother》

..............page:24-25

Appreciation of the Aria in Peking Opera《XuCePaoCheng》

..............page:54-55

Drama《Miss Money Want to Marry》

..............page:26-27

The Memory of Kun Opera[11]

..............page:60-61

Agatha Christie On Stage

..............page:37-39

Tsing Yi in ShanXi Opera I have learned

..............page:19

Discussion on Drama《Suspect X》

..............page:28-29

Drama 《A Murder is Announced》

..............page:43

Yue Opera 《Lady of Ocean》Fail to Adopt Local Climate

..............page:32

Research On Communication of"Four Dreams of Linchuan¨

..............page:48-50

Drama 《Re-Orientations》、《The Tempest》、《Fleeing By Night》

..............page:22-23

Peking Opera《the Stagnant Water》With Ripples

..............page:56

zuo dong shi bo wu dong shang hai

..............page:62-63

I acted as middleman in Rong Aimei\'s Apprentice

..............page:18

The Companion Pictorial held Peking Opera EXhibition

..............page:57

Performing Experience On Huyan Shouyan

..............page:20

To Produce Agatha Christie Mystery Dramas

..............page:40-41

Yue Opera 《lady of Ocean》

..............page:30-31

xin xi dong tai

..............page:3-15

Discussion on Shanghai Opera 《Thunderstorm》Which Performed in Beijing Recently

..............page:33-35

Audience,The thrill of huessing the murder

..............page:44

Discussion on Long Opera《Guan E Qing Ge》

..............page:58-59

ShanXi Opera 《Xia He Dong》 is the Beginning of My Art Career

..............page:16-17

Continued the Success of Agatha Christie Playe in China

..............page:42

Book Review 《History of Chinese Opera》

..............page:51-53

Peking Opera《The Jester》

..............page:36

Actor,Strorger Psychological rhythm

..............page:45