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Shanghai Theatre
0559-7277
2011 Issue 11
What Kind of Comedy do we Need
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page:27-28
Appreciation on Peking Opera 《Qin Qiong Sold his Horse》
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page:46-47
The Memory of Kun Opera(23)
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page:44-45
On Comparison of South Burlesque And North Sketch
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page:38-40
《 Sighing 》 :A Work in Progress
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page:9
Not Departure But Another Kind of Promotion For Traditional Arts
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page:10
shui yue , luo shen liao qi mian sha ji di shi san jie zhong guo shang hai guo ji yi shu jie de kai mu yan chu wu ju shui yue luo shen
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page:中插1-中插2
Creative Work Needs Support
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page:20
Howto Perform Shakespeare\'s Works Today?
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page:32-33
The Birth of 《Ultimate Bradway》
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page:中插4
Talking About Drama 《July And Ansheng》
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page:31
xin xi dong tai
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page:1,3,封2
《Sighing 》: Sighing For ‘Bang Qiang\'
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page:12-13
bai nian feng yun yue tan liu ying ji nian xin hai ge ming yi bai zhou nian shang hai yue ju yuan yan chu zhuan chang
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page:封3,中插1
Interview with Ding Naizhu, The Producer of Stan Lai\'s ‘Performance Workshop\'
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page:18-19
Tong Qiang, a Famous Peking Opera Teacher
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page:36-37
feng ye xi xi yu ye xi xi
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page:42-43
Discussion on a Young Peking Opera Actress Ding Xiaojun
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page:16-17
《Sighing》 And Its Cultural Memony
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page:11
Book Review on 《Tutorials of Drama Aesthetics 》
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page:40-41
Drama Should Show Historical Revelation
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page:24-26
The Creation And Exploration of 《The White Snake Enchantress 》
cheng zuo huai
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page:14-15
The Imaae of Women Created bv Dina Shi\'e
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page:21-23
Discussion on Drama 《Dust to Dust》 Directed by Gu Yi\'an
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page:34-35
Does Comic Yuju Opera Bring the Real Joy?
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page:28-30
Tian Mansha Concept Chuanju 《Sighing》: A Flower in Thinking
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page:4-8