Chinese Music 2006 Issue 3 shi lun yin le xin shang zai gao shi yin jiao zhuan ye zhong de zhong yao di wei ji qi jiao xue de ruo gan wen ti

shi lun yin le xin shang zai gao shi yin jiao zhuan ye zhong de zhong yao di wei ji qi jiao xue de ruo gan wen ti
li zuo

..............page:176-180,186

dui ru jia " cheng yu le " si xiang guan nian de fen xi
zhu qin ; yue zi yuan

..............page:195-197

yi di yu yin le wen hua wei te se de gao shi yin le jiao yu tan suo yi wu jiang liu yu de fu ling shi yuan yin le xi wei li
xu xin

..............page:201-202,204

jian gou duo ceng mian shi chang lian er shen mei jiao yu de ji ben si lu he fang fa
chen zuo ; lin sheng

..............page:152-156

lun yin le chuang zuo zhong gan xing si wei yu li xing si wei zhi guan xi
cai wei

..............page:135-137

shi chang lian er jiao shi de zhuan ye su zhi yu jiao xue neng li tan wei
tan xiong

..............page:172-175

jia kuai ping min jiao yu jin cheng jin yi bu ti gao quan min su zhi tan nong cun zhong xiao xue yin le jiao xue gai ge
xie hong ; wang jing

..............page:146-148,156

qian tan min zu sheng le jiao xue zhong de yao zi wen ti
zhang li zhen

..............page:133-134,137

A theoretical exploration to the nature of teaching models and its implications for music teaching
Xiang Zhou-jun

..............page:181-183

zhong guo gu dai chang lun zhong de sheng le biao yan xin li
huo xiang zuo

..............page:190-194,197

ge chang yin jie xun lian ji shu tu po xing fa zhan yin fa de si kao
ding xiao qin

..............page:169-171

li ling min zu sheng le guan chu tan
chai zuo

..............page:198-200

geng yun yu shou huo wang ning jiao shou xin zuo jian jie
tian lin

..............page:115-116

Pioneers of singing teaching in modern China: Zhou Shu-an and Zhao Mei-bo
Ding Ru-yan

..............page:110-114,116

New language for modem musical creation: A brief introduction to free Bass accordion composers and their compositions
Lei Jia-yan;Zhang Huan

..............page:82-86

An anthropological reading of Tan Dun's The Map
Shi Zheng-rong

..............page:95-97,109

Celebration of Feng Wen-ci for his 80th birthday
Li Shi-jun

..............page:89-94

di san zhong zuo qu fang shi lun ji suan ji yin le chuang zuo de xin si wei
liu jian quan

..............page:51-54

The formation and development of music therapy
Zhou Wei-min

..............page:66-69,72

Theory and strategy for sustainable growth for traditional music of ethno-minorities
Wang Wen-tao

..............page:138-142

xiang xi miao zu " san jiao ma " miao ge tan xi
cui si zuo

..............page:130-132

yin le ren cai xue ke jian she de you yi tan suo
xie jia xing

..............page:59-59,65

A foreword to the Chinese version of How Musical Is Man?
Ma Ying-jun;Chen Ming-dao

..............page:37-43

dong zu " zhu tong wu dao " de tan yuan ji yi shu te zheng
yang guo peng

..............page:187-189

san xia min ge chuan cheng chen si lu
li shan

..............page:143-145

shi lun guang xi rong shui han zu shan ge de feng ge te zheng
zeng tong

..............page:149-151

wan bang " hua qiang " de yi shu te se
wu jin bao

..............page:184-186

yu xi nan min ge xian zhuang diao cha bao gao
shao xiao meng

..............page:126-129

A Formal structure in Chinese singing
Shi Wang-wei

..............page:117-122,129

shan dong de zhou ning jin xian sang yi yin le diao cha bao gao ji qi fan si
duan wen

..............page:101-106

song yang gao qiang ju zhong shi yin le yuan kao
zhong xiu qiu

..............page:87-88,94

Contemplation stimulated by the changes found in the Confucian ceremony music
Dong Bing;Ma Dong-feng

..............page:98-100

meng xi ju ben chang cheng ji yin le xing tai yan jiu
fu li min ; xia hou ling ling

..............page:76-79,81

Two topics on the rare historical resources of dulcimer in Qing dynasty
Zhang Chui-lan

..............page:55-58

tan gao shi sheng le jiao xue zhong yan chang qu mu de xuan ze
zheng yan wen

..............page:160-163

sheng le jiao shi de jiao se ding wei
yu hong

..............page:107-109

Basic patterns for playing Zheng
Qiu Ji

..............page:73-75

"zi zhen ju zuo yi qiang tie diao " lun chang lun zhong zi yu sheng de guan xi
wu jing

..............page:70-72

shan dong zuo pai yu he nan zuo pai zhi yi tong bi jiao
feng bin bin

..............page:164-168

lun yin le ju de she hui wen hua yuan yuan yi pian wen hua she hui xue de guan cha
gu yong

..............page:157-159,171

"wen ge shi qi " de gang qin yin le ji qi feng ge te zheng
chen wen hong

..............page:123-125

zhen bang ! zhong guo yin le xue yuan zhong guo yin le xue yuan 2006 nian " bi ye ge " wan hui yin xiang
tang pu lin

..............page:203-204

xin de qi dian yi yi shen yuan ji " di yi jie yin le xue yuan xue sheng zuo pin jiao liu hui "
lin yang

..............page:80-81

A morphological study on the primitive Mongolian music
Hao Bi-si

..............page:60-65

Objective truth in subjective thinking: Another way for observation and description in field work
Pu Heng-jian

..............page:48-50,54

On the structures of Ban Shi (板式)
Liu Zheng-wei

..............page:44-47

On the tri-leveled relations concerning keys in traditional Chinese music
Luo Di

..............page:5-12

Defining terminologies before starting a clear academic discussion
Du Ya-xiong

..............page:1-4,36

Adjusting values of TV music communication in mainland China
He Xiao-bing

..............page:13-36